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By Darwin8u on 24-07-13
Tolstoy masterpiece is wounded by terrible audio
This is one Tolstoy that is easily overlooked, but shouldn't be missed. It combines Tolstoy's philosophy with his religious moralizing with his love of the land and the simplicity of nature and those close to it. The novel explores the nature of happiness, the purpose of life, and Tolstoy's particular interest in rural life vs the more urbane Moscow/Saint Petersburg society.
This minor masterpiece is full of Tolstoy's fascination with the Cossacks (both men and women) and the Chechen braves (abreks), his love of the mountains, rivers, and flora and fauna of the Caucuses. There is part of it that reminded me a lot of an early Hemingway novel: a war, women, real men, horses and lots of food and drink. Again, if you've read 'War & Peace' and 'Anna Karenina' and are looking for another good Tolstoy, this is a solid piece (it happened to be Turgenev's favorite Tolstoy novel).
The major problem with this audiobook is the audio quality. The transitions (I think its a balalaika) is too loud and doesn't quite work. The narrator sounds distant and muffled like he read the entire novel with a 20 gallon paint gallon on his head. I got through it, but didn't really enjoy the novel like I hoped to because of the quality of the audio.
25 of 26 people found this review helpful
By Jefferson on 05-11-13
A Fool’s Guide to Happiness
The Cossacks: a Tale of 1852 (1863), Tolstoy’s first novel, conveys a vivid sense of a particular time, place, and culture and also explores universal themes about youth, love, nature, and civilization. The story begins with 24-year-old rich boy Dmitri Andreich Olenin leaving Moscow because he’s in debt and has just realized that he doesn’t love this rich woman he was supposed to marry, and he has nothing better to do, having aborted other half-hearted pursuits like attending university and farming, so he expects to get a fresh experience in the Caucasus Mountains as a cadet in the Russian army. As he journeys from Moscow to the mountains with his trusty serf-servant Vanyusha, he passes time complimenting himself for being a fine fellow, wondering what his friends will think about his move, calculating how many months he’ll have to live frugally to pay off his gambling and other debts, and fantasizing about becoming a heroic soldier and possessing a Cossack woman who will be beautiful, wild, clever, enchanting, and submissive. When he sees the mountains clearly for the first time on his first morning there, they penetrate his being, purging him of his trivial dreams, cleansing him of his Moscow shames:
“Suddenly he saw, about twenty paces away as it seemed to him at first glance, pure white gigantic masses with delicate contours, the distinct fantastic outlines of their summits showing sharply against the far-off sky. When he had realized the distance between himself and them and the sky and the whole immensity of the mountains, and felt the infinitude of all that beauty, he became afraid that it was but a phantasm or a dream. He gave himself a shake to rouse himself, but the mountains were still the same.”
Tolstoy then introduces the local inhabitants, the Grebensk Cossacks, who live in a village near the Terek River, across which live their rivals, the Muslim Tartars (Chechens), with whom they are continuously engaged in small scale horse-trading, raiding, and ambushing. The Cossacks are Old Believer Christians, free-spirited, down-to-earth, and feisty, close to nature, poor in material things but rich in passion and pride. They feel more akin to and respectful of their Islamic enemies across the river (and speak a lot of their Tartar language) than of their Russian allies whom they must billet in their villages.
Tolstoy develops his story by depicting the developing relationships between three Cossacks and Olenin. Taking the Russian under his muscular wing is Daddy Eroshka, a “solitary and superannuated,” powerfully-built, seventy-something guy who loves nothing better than hunting, drinking, gossiping, mooching, and boasting about his youthful exploits. Marianka, the young daughter of the village cornet in whose house Olenin is lodging, is a masculine girl who strikes Olenin as being as beautiful and inaccessible as the mountains and becomes his Cossack muse. And Rukashaka, the most dashing, plucky, and handsome of the young Cossacks, becomes Olenin’s unacknowledged rival. There are many neat moments: Olenin going hunting, being swarmed by mosquitoes, and having an epiphany about the best way to live; Daddy Eroshka wondering why Russians are so well educated but never know anything or explaining to Olenin why animals are at least as wise as people; Marianka cracking seeds, harvesting grapes or perching atop the stove; Rukashaka waiting in ambush or communicating with his deaf and dumb sister.
Tolstoy is not telling a page-turning, action-packed adventure story! With two notable exceptions, every scene of violent action happens off-stage, and most of the “action” consists of people drinking and talking as Tolstoy evokes Cossack culture (poised as it was between the Tartars and Russians in the fertile and sublime mountains), and to examine Olenin’s heart in that context. Will he forever remain an outsider? Will he learn what love is, or how to be happy in life?
David Thorn reads the novel with enthusiasm, irony, and clarity, and, fortunately, doesn’t try to make female voices sound female. Unfortunately, this audiobook production is damaged by two flaws: the end of each chapter is signaled by some pseudo “Russian” music that sounds like a digital guitar or harpsichord from a low-budget fantasy computer game, and the number of each new chapter is announced by a horribly syrupy, buttery, and American-sounding woman’s voice, and there are 42 of the durn things in this short novel. An awful mood-breaker. Oh, and the cover picture has egregiously little to do with the content of the novel.
The Cossacks is a perfect book to begin an acquaintance with Tolstoy, because it’s short and is accessible, filled with the psychological and philosophical insights of his longer tomes, but set in an exotic place and told with a more humorous tone.
9 of 9 people found this review helpful
By Ray on 26-06-18
Sounded very English.
.... not at all Russian, Cossack, or whatever. Ending was in consequential, left me hanging.
By Mike W on 14-01-18
Story and performance are fine (just not my favorite.). Audio “Skipped” in several places throughout the performance. This kept me from becoming truly immersed in the reading.
By Lucie on 17-02-18
Not on the same level as some of his more famous works, but still Tolstoy!
As other reviewers have said, the cheesy MIDI music at the end of the chapter is irritating, but it’s bearable.
The regionalisation of accents/language patterns from Russia to the UK is necessary because it conveys class differences that simply couldn’t be reproduced (or couldn’t be reproduced without it being a total disaster) in, say, US or Canadian English.
0 of 1 people found this review helpful