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By Amazon Customer on 20-09-14
Colorless Tsukuru is just that.....
What did you like best about Colorless Tsukuru Tazaki and His Years of Pilgrimage? What did you like least?
Let me make it clear that I am a huge fan of Murakami. Whenever life gets me down I reread or relisten to Kafka on the Shore or 1Q84 or the Windup Bird Chronicles or.....You get the idea. But I had something of a bad feeling about this one from the start. American translation read ever so carefully by British narrator sounds awkward. But once we get into the story I'll forget that. Except that there really isn't much story to get into. No magical realism - ok I knew that from the reviews - just people talking - and talking - and talking. OK, they talk in different places and we do get a trip to Finland where the best writing happens in a scene overlooking a lake which has all the tenderness and poignancy of the best of his work. But otherwise to be honest it's the first Murakami I haven't enjoyed much. Reviews compare it to Norwegian Wood but in that we have a strong dramatic thread which is completely lacking here.
What was most disappointing about Haruki Murakami’s story?
As colourless as the title
Did Michael Fenton Stevens do a good job differentiating each of the characters? How?
Errm - while he reads very well I felt all the characters were as colourless as each other.
Was Colorless Tsukuru Tazaki and His Years of Pilgrimage worth the listening time?
Not really except for the Finland section
Any additional comments?
If you are new to Murakami please don't start here! Start with something like Kafka on the Shore which is a fantastic listen.
12 of 12 people found this review helpful
By Mark on 17-10-14
The best Murakami novel bar none
This is quite a claim to make. For me he is one of the top three authors in the world today so I have not written this lightly.
With his wonderful slightly off-centre way of seeing the world, this novel actually has its foundation in a more real-world theme of friendship and loss.
I normally listen to my audiobooks whilst driving and then read normal books at home, however when I returned home, three hours into the story, I took my iPod inside and continued listening through to the end just before midnight. Feeling totally emotionally engaged with the characters it is a wonderful story, wonderful reading and left me feeling drained.
How I wish I still had to listen to it for the first time again.
19 of 20 people found this review helpful
By Antti on 21-08-14
I think the essentials of Murakami’s craft should be clear by now, no matter which book has been the door to his art: life and reality as a form of fiction, art as life, love as art, death as the long journey from the anteroom of life. Yet his books are not pessimistic or cold, but rather celebrate life in the smallest moments, and this humanity transforms all the narrative opulence into life-affirming art.
Murakami's gift is that he's able to make us unsure of our footing, of where or who we are, or who the characters we see are, and where they're going. He does it with such slyness it's as natural as breathing. We see not much happening, but somehow we have that ever-intensifying feeling that behind the curtain something grand is slowly taking shape, the pieces of the universe are falling into place and soon the cosmos will reveal itself unto us. This kind of fantastical realism is not a mirror but a window, not the cloud but the sky beyond, a simple gesture that makes one gasp as the universe is revealed.
Indeed, ”Colorless Tsukuru Tazaki and His Years of Pilgrimate” is hardly unlike the rest of the Murakami that I know: the surface is calm, lingering, leisurely, yet beneath the surface there's another world entire, fierce and full of dark brooding. It's them, it's us. Loneliness, hunger. Warmth, comedy. The wheel turns.
While I adored the first two-thirds of ”1Q84”, I found it too long for my taste and far too overbearing towards the end. And while I am already anxiously waiting for the "next new Murakami”, whatever that may be and whenever it may see the light of day, I welcome ”Tsukuru” as a wonderful work of just the right length: it never meanders, it’s focused and strong because of this, and for me the whole is as satisfying as I had expected. I think this is one of his strongest explorations of human relationships, and the complex web of human interaction, and, ultimately, of cause and effect.
Michael Fenton Stevens’ narration is beautiful: there’s such warmth and familiarity in his voice and enunciation that I had the feeling this was an old telling a story to me intensify to the extent I had to check from Audible whether I had listened to him before. I don’t think I have. As as a narrator he’s superb, and I love his accent and how he’s courageous enough to take his time. I think Gabriel’s translation is also superb.
25 of 27 people found this review helpful
By Sally P on 02-03-15
Several reviewers seem to have assumed that because the main character designs railway stations, watches trains coming and going and questions his value to the world, he must therefore be dull. Murakami's actually showing us the courage, strength and uniqueness that this lonely character doesn't know he has. I loved it and had to listen to the whole book in a day. It speaks to all of us who have ever been teenagers worried about our friendships. It leaves one question unresolved, and I'd like to have known what happened there, though we can guess.
7 of 7 people found this review helpful
By Natalia on 13-12-14
If you could sum up Colorless Tsukuru Tazaki and His Years of Pilgrimage in three words, what would they be?
quiet, everyday but extraordinary
What did you like best about this story?
It's peacefulness but forces you to think as well.
If you made a film of this book, what would be the tag line be?
Colourless is all colours
Any additional comments?
It was my first book by Haruki Murakami- read or listened to. I will definitely have a look into his other titles and choose some nice listen.
6 of 6 people found this review helpful