Crisis constantly lurks around the corner, monitored by spies who are always with us. In his career-capping thirteenth novel, master of the espionage thriller Robert Littell has crafted a breathtaking story of the legendary CIA - "The Company" to insiders. At its heart lies a spectacular mole hunt involving the CIA, MI6, KGB and Mossad - a stunningly conceived trip down the rabbit hole to the labyrinthine Alice-in-Wonderland world of espionage, "a wood where things have no names."
Racing across a landscape spanning the legendary Berlin Base of the 1950s - the front line of the simmering Cold War - the Soviet invasion of Hungary, the Bay of Pigs, Afghanistan, and the Gorbachev putsch, The Company tells the thrilling story of agents imprisoned in double lives, fighting an enemy that is amoral, elusive, and formidable. It also lays bare the internecine warfare within the company itself, adding another dimension to the spy vs. spy game.
"If Robert Littell didn't invent the American spy novel, he should have." (Tom Clancy, author of
Patriot Games)"If le Carre is the Joyce of spy novelists, Littell is the Dickens." (
Booklist, starred review)"An epic tale...peopled by heroes and villains who seem almost mythological in retrospect...Keeps you riveted to the page." (Nelson DeMille, author of
Up Country)"Destined to become the definitive novel about the CIA." (
Amazon.com)"This mammoth audiobook is a sprawling engrossing fictionalized history of the CIA and Cold War era." (
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The Company - Fantastic Read!
45 hours of engaging espionage..
The 'Sasha' thread throughout the book
The bay of pigs schene
The 'girlies' scenes throughout the book made me cry.
The Company is nothing less than an epic history of the Cold War, the period in which the United States of America and the Union of Soviet Socialist Republics tried to undermine each other without resorting to nuclear weapons.
One reason why Littell’s novel is so effective is the skill with which he blends such historical events as the Cuban Missile Crisis with the lives of his fictional characters. Those invented personalities range from the alcoholic head of America’s Berlin Base, Harvey Torriti, to the pedophile who runs Soviet counterintelligence, the man known only as “Starick.”
What ultimately makes this massive work so enjoyable is the decades-long search by the CIA for the Soviet mole, Sasha
- Bruce G.