Tom Stoppard’s Arcadia merges science with human concerns and ideals, examining the universe’s influence in our everyday lives and ultimate fates through relationship between past and present, order and disorder and the certainty of knowledge. Set in an English country house in the year 1809-1812 and 1989, the play examines the lives of two modern scholars and the house's current residents with the lives of those who lived there 180 years earlier.
Includes an interview with Steven Strogatz, the author of Nonlinear Dynamics and Chaos and professor at the Cornell University School of Theoretical and Applied Mathematics.
An L.A. Theatre Works full-cast performance featuring:
Kate Burton as Hannah
Mark Capri as Chater
Jennifer Dundas as Thomasina
Gregory Itzin as Bernard Nightingale
David Manis as Cpt. Brice
Christopher Neame as Noakes and Jellaby
Peter Paige as Valentine
Darren Richardson as Augustus
Kate Steele as Chloe
Serena Scott Thomas as Lady Croom
Douglas Weston as Septimus
Directed by John Rubinstein. Recorded at the Invisible Studios, West Hollywood.
Arcadia is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation to enhance public understanding of science and technology in the modern world.
“Tom Stoppard’s richest, most ravishing comedy to date. A play of wit, intellect, language, brio and emotion,” and The Royal Institution of Great Britain calls it: “the best science book ever written.” ()The New York Times)
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Difficult subject matter, and a bit mis-cast.
While this witty and erudite play text provides both entertainment and intellectual challenge, problems with the production rather spoiled my enjoyment.
This isn't really relevant to a drama text.
Well, this isn't an audiobook, but an audio production of a play, so there are multiple voices. Here lies my main problem. As a UK listener, I could not suspend my disbelief in the English accents of some of the American actors playing British roles. They weren't terrible, and a US listener might not have a problem with this aspect of the performance. However, it is not just a matter of pronunciation or vowel sounds. Sentences were stressed in an unidiomatic way, and meaning was sometimes lost.There are some complex mathematical and intellectual ideas presented here, so clarity of meaning is important.
The play is split into two time frames, that of the 18th century juxtaposed with a modern setting. It seems to me that the actors chosen for the 18th century sections were native Brits (or if not, American actors with impeccable accents and delivery.) The contemporary sections are voiced with American actors who can't quite get it right. The production also sounds under-rehearsed in the contemporary sections, with some rather emotionally unvaried performances.
There are also some visual effects which are hard to reproduce in audio format, which could have been edited out.
I have listened to many LA Theatre Works offerings and they are generally excellent. Even the Ayckbourn plays with mixed US/British casts are almost completely convincing. This was a disappointment.
Not entirely. This is a stimulating but complex text which is nearly 3 hours in length. It needs better acting and direction in parts to justify the committment from the listener.
- Dr. M.
Engaging and entertaining.