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On the whole, this is a good introduction to early music. It's not quite what I expected, however. I went into this with the definition of early music being limited to the Medieval and Renaissance eras, and while this book did encompass that, it also included Baroque. And that would be even better, save for the fact that most of the material herein was about the Baroque, and thus not the reason for me picking it up in the first place. Still, nothing wasted in that regard. The lessons can be applied all around. The ideas presented here regarding the recreation of early music are fascinating and complex. Once you wrap your head around it, it'll change the way you listen to and appreciate music of any kind. That alone makes this title worth it in my mind.
Anyone coming to this topic with no background and truly looking for an introduction should probably be aware that the information herein comes rapid fire. Vocabulary is defined, but once an idea is introduced, it's assumed you know it, and information is built from there. Newcomers will probably want a print version of this for that reason, and for the reason that the end of the book comes with a rather hefty list of bands, ensembles, and recording labels.
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