Steven Patrick Morrissey was born in Manchester on May 22nd 1959. Singer-songwriter and co-founder of the Smiths (1982-1987), Morrissey has been a solo artist for twenty-six years, during which time he has had three number 1 albums in England in three different decades. Achieving eleven Top 10 albums (plus nine with the Smiths), his songs have been recorded by David Bowie, Nancy Sinatra, Marianne Faithfull, Chrissie Hynde, Thelma Houston, My Chemical Romance and Christy Moore, amongst others.
An animal protectionist, in 2006 Morrissey was voted the second greatest living British icon by viewers of the BBC, losing out to Sir David Attenborough. In 2007 Morrissey was voted the greatest northern male, past or present, in a nationwide newspaper poll. In 2012, Morrissey was awarded the Keys to the City of Tel-Aviv. It has been said 'Most pop stars have to be dead before they reach the iconic status that Morrissey has reached in his lifetime.
David Morrissey is one of the most versatile actors of his generation. He is also a screenwriter and director.
©2013 Morrissey (P)2013 Penguin Books Ltd
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Critic reviews

"Five stars. With typical pretension, Morrissey's first book has been published as a Penguin Classic. It justifies such presentation with a beautifully measured prose style that combines a lilting, poetic turn of phrase and acute quality of observation, revelling in a kind of morbid glee at life's injustice with arch, understated humour ... It is recognisably the voice of the most distinctive British pop lyricist of his era." (Neil McCormack, Daily Telegraph)
"The Best Music Biog Ever ... In the world of rock autobiographies, Morrissey's is nigh-on perfect." (Ben Hewitt, NME)
"A brilliant and timely book ... What is so refreshing about Morrissey's Autobiography is its very messiness, its deliriously florid, overblown prose style, its unwillingness to kowtow to a culture of literary formula and commercial pigeon-holing ... Autobiography is a true baggy monster, a book in which a distinctive prose style is allowed to develop ... A rococo triumph ... Overwhelmingly this is a book to be thankful for ... In the ways that matter, Autobiography reads like a work of genuine literary class" (Alex Niven)
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Customer Reviews

Most Helpful
5 out of 5 stars
By Amazon Customer on 12-12-13


Would you recommend this audiobook to a friend? If so, why?

Beautifully written and beautifully narrated - a detailed insight in both to Morrissey and Manchester life.

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5 of 5 people found this review helpful

4 out of 5 stars
By M. Bell on 16-03-16

Brilliantly written but needs a good edit!

He is acutely perceptive, draws his characters well and it's a good, often fascinating read.
Narrator matches the story/place perfectly.

Entire self-indulgent rambling chapters in the latter part railing at great length against various solicitors/session musicians etc who wronged him. WAY too much detail for even the most avid fan! Why was all this left in?? It makes him seem petulant and unprofessional and I really didn't enjoy this sudden airing of his dirty laundry, it's beneath him and beneath his readers.

The narrator, David Morrissey, is brilliant but scarcely pauses between chapters.

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3 of 3 people found this review helpful

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Customer Reviews

Most Helpful
3 out of 5 stars
By Audio Gra Gra on 19-09-14

Why People Call Morrissey A Twat

I came to this audiobook not knowing very much about Morrissey except what I had interpreted from his music.
The first section of the book was fascinating, his childhood, schooldays and I particularly enjoyed the story of how Morrissey began to fall in love with music and the music that inspired him to become a singer. The writing is heartfelt, warm and leads you into a possibly premature fondness for the guy.
The Story of the Smiths formation and career though is terribly underdone. You would imagine The Smiths period of his life would take quite some time to detail but it is almost casually slapped down - a collection of random anecdotes which make no linear sense and give improper credit to the legacy of the band and its place as a stepping stone into his solo work. At this point in the book, Morrissey does goes to some effort to almost fondly credit the other members of the Smiths for their various contributions to the music, despite the acrimonious issues that were to follow after the breakup of the band.
What follows after the "story of the Smiths" is confusing though. The book continues as a random collection of anecdotes and characters weaving in and out of and between his long lines of solo albums. That's not to say there is nothing of value in the content, but again there does not seem to be any linear sense to things - he will start talking about people who weren't introduced to the reader properly and random events take on an importance which they shouldn't have. e.g a long and completely unnecessary ghost story!
After this there is a long, long section detailing Morrissey's side of the famous court case brought about by the Smith's drummer. This was actually quite fascinating (as is Morrissey's view from inside the insidious world of the business of music) and as a musician myself, I can certainly sympathise with his despair at how horrible the people in the music business can be.
While the book up to this point had certainly had its faults, it was nevertheless an entertaining and sometimes fascinating listen. Despite Morrissey's notoriety, I discovered nothing that had made me think less of him.
It is the final part of the book however that will have Morrissey haters licking their lips, and I have to say he gives them plenty of ammunition! The final section of this book seems to be written by someone either blissfully unaware or uncaring of how he comes across. Written almost as a travelogue, the book becomes quite literally a long and boring list of cities he performs in and how he, the apparently magnificent and heroic artist journeys the world in a rapturous travelling communion with his fans. It goes on for so long and just becomes so absurd in its world weary grandioseness that you find the words "what a twat" unconsciously leave your mouth several times through the telling.
Its an odd feeling to end the book with as it is really hard to erase the bad taste in your mouth from the final section of the book. Of course, it wouldn't be Morrissey without the melodrama, but for this reviewer, I'll settle for the melodrama in his songs - its more palatable.

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