Are We Still Rolling?

  • by Phill Brown
  • Narrated by Terry Brown
  • 12 hrs and 15 mins
  • Unabridged Audiobook

Publisher's Summary

From the author's first glimpse of a magical recording studio in the mid-1960s up through a busy career that continues to the present day, this rollicking story can only be told by those that were there. As the young tape operator on sessions for the Rolling Stones, Jimi Hendrix, and Joe Cocker at the famed Olympic Sound Studios in London, Phill learned the ropes from experienced engineers and producers such as Glyn Johns and Eddie Kramer. Phill soon worked his way up engineering sessions for Mott the Hoople, David Bowie, Led Zeppelin, Bob Marley and many other legendary rockers.
He eventually became a freelance engineer/producer and worked with Roxy Music, Go West, Talk Talk, and Robert Plant. But more than a recollection of participating in some of the most treasured music of the past 40 years, this is a man's journey through life as Phill struggles to balance his home and family with a job where drug abuse, chaos, rampant egos, greed, lies and the increasingly invasive record business take their toll. It's also a cautionary tale, where long workdays and what once seemed like harmless indulgences become health risks, yet eventually offer a time to reflect back on.

More

See More Like This

Customer Reviews

Most Helpful

An excellent tale, brilliantly told...

I should probably start this review by mentioning that I am a musician and have my own purpose-built recording studio in my garden, where I spend many a happy hour. When I saw that this title was available I snapped it up, and I must say it does not disappoint.

There’s a phrase in music that says ‘To work as a studio recording engineer, start as a Tea-Boy and work your way down’, and that’s exactly what author Phill Brown does, starting out as a general assistant, setting up mics and preparing reels of tape, and in very little time he finds himself assisting on recording sessions for the major stars of the day, with his working week being about as diverse as it could be, with The Rolling Stones one day, Anita Harris the next, and The Small Faces the next.

As the years roll by Brown’s CV grows to read like a who’s who of modern music world. Hendrix, Bob Marley, King Crimson, Roxy Music, Robert Palmer, Talk-Talk, the list just goes on and on, and Phill Brown’s first-hand experience and observations offer a whole new insight into the reality behind the gloss of the music industry. I especially liked that he engineered for many of the lesser-known bands that I grew up with (The excellent Ace, and Hustler for example). Hearing his stories on the arduous process of recording and the stories behind the music has also re-united me with artists I’ve not listened to for a while, such as John Martyn, as well as introducing me to acts I’d missed the first time around like Talk-Talk.

It’s also very interesting to hear Brown’s observations on the continuous changes to the music industry, with the advent of the digital technology during the 80s driving a complete change to the way music was recorded and produced, to the ever-growing presence and interference of the men-in-suits during the recording process.

Ironically the only minor bugbear I found was that the overall quality of the recording is not as good as other books I’ve listened to, and sounds rather like Brown recorded this himself at home. This is understandable given his profession, but there are some rather dodgy edits where the narration suddenly jumps. In Chapter 15, where we find the author in hospital, the narrator seems to lose his way before noisily clearing his throat and carrying on at a different part of the story.

But these are minor irritations; the overall title is excellent and will definitely worth a second listen.

If you are in any way interested in Pop Music, you are gonna love this!
Read full review

- Colin

Here we go again. More drugs and debauchery. Doesn't anyone do anything else? Don't answer that.

I am at the point of writing about four hours or so in to this book and it's just the same as any other high profile music book. Drugs and not much else. Technical if you like that sort of thing but a layman would never understand half of it especially with the way it's read. I don't know if Terry brown is suffering from the long term effects of being stoned out of his head (none of them appear to have brains) or if it's jsut age. Family loyalty is all very well but really? Why didn't Phil Brown get somebody else to read it? anyway once you've read one junky's account of drugs you've read them all and this one is no different. It's jsut about a different set of junkies that's all. Did anyone have any sense back in the sixties? It seems not.
Read full review

- Rose "I write short stories and love reading. I can't stand poor grammar though. I like most types of books but I don't like erotica or romance."

Book Details

  • Release Date: 12-12-2014
  • Publisher: Single Fin, Inc. DBA Tape Op Magazine