Theatre was central to his life, from his earliest years as a child entertainer in Portsmouth pubs, to his reluctant retirement from ‘these garish lights’ barely a year before his death. He wrote plays, he acted in them; he stage-managed them, all with fanatical perfectionism. Dickens’s novels are famously filled with unforgettable descriptions of performers, from Sleary and his troupe in Hard Times to the Infant Phenomenon and the rest of the glorious Crummleses in Nicholas Nickleby.
As a writer, he was a compulsive performer. His very imagination was theatrical, his method that of the stage, both in terms of plot devices and construction of character. There is in his writing a palpable sense of him reaching out to his readers, his public, courting their favour, speaking on their behalf, stirring them, building their applause. Simon Callow explores this extraordinary theatrical core to Dickens in this short life of one of our greatest novelists.
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Customer ReviewsMost Helpful
By SSN on 08-04-18
A Tale of Two Cities
Excellent reading by Simon Callow. The story is as exciting as 50 years ago when I read it and very current with the times we live in. The Revolution came about because of the obscene distribution of wealth and the poor having no opportunity, education or food.
And to day there are many Sydney Carlton's who give their lives for