Pour Me

  • by A. A. Gill
  • Narrated by Dougray Scott
  • 6 hrs and 43 mins
  • Unabridged Audiobook

Publisher's Summary

A. A. Gill's memoir begins in the dark of a dormitory with six strangers. He is an alcoholic, dying in the last-chance saloon - driven to dry out, not out of a desire to change but mainly through weariness. He tells the truth - as far as he can remember it - about drinking and about what it is like to be drunk.
Pour Me is about the blackouts, the collapse, the despair: 'Pockets were a constant source of surprise - a lamb chop, a votive candle, earrings, notes written on paper and ripped from books' and even, once, a pigeon. 'Morning pockets,' he says, 'were like tiny crime scenes.' He recalls the lost days, lost friends, failed marriages.... But there was also 'an optimum inebriation, a time when it was all golden, when the drink and the pleasure made sense and were brilliant'.
Sobriety regained, there are painterly descriptions of people and places, unforgettable musings about childhood and family, art and religion, friendships and fatherhood and, most movingly, the connections between his cooking, dyslexia and his missing brother.
Full of raw and unvarnished truths, exquisitely written throughout, Pour Me is about lost time and self-discovery. Lacerating, unflinching, uplifting, it is a classic about drunken abandon.
Read by Dougray Scott.

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Customer Reviews

Most Helpful

'Every long, hallowed word'


Michele deserves to be named and credited for this, and all of Adrian Gill’s writing. Gill is severely dyslexic, writes on screen and then dictates it all to her. If he leaves it on screen for more than a couple of weeks, he can’t interpret it. This memoir isn’t really a book as a consequence, it’s a kaleidoscopic torrent of engaging, witty, always engaging, disorderly, dictated experiences which may or not be true, anecdotes and musings. This makes it particularly successful on audio. Dougray Scott’s spot-on narration rattles along at high speed, but he mangles many words and his attempt at French (louche, raconteur…) is rubbish. A pity.

Words are Gill’s life blood and this memoir is led by words and not chronology as he darts about from childhood (born in the hospital where Burke and Hare sold their corpses; learning the ‘kiddy patois of internment’ at his boarding school for dyslexics; failure at art school (where the life model’s ‘histrionically hideous’ scrotum dangled to his knees); failure at various jobs including in a Soho sex shop; years of alcoholism until stopping drinking at aged 30 (having been told he wouldn’t see Christmas if he didn’t); years of brilliant journalism; the disappearance of his chef-brother (still a source of deep anguish); the birth of his children and his visceral love for them (very moving); his religion (finding transubstantiation in oil and egg becoming mayonnaise)…. It goes on and on.

Similes (many 30 words long or more as the words spill out like lava) pour out from Gill as generously as he once poured the drink down his throat. Although they can be overdone or just silly, they usually make you laugh. The copy editors discuss sex (one described being ‘shagged by a minaret’ ); the Tatler editor’s smile is ‘like a string of pearls breaking into a urinal’ ; snobbery is like ‘peeing in your pants.’ He’s full of garnered facts – did you know humans are the only species who can eat and make eye contact at the same time?

There are some brilliant parts: one which had particular punch and insight for me was the impassioned talk he gave to a group of dyslexic children - the English language is ‘bigger than any god ever imagined’; words are ‘subtle as dew on a web’ – showing them that they CAN access its riches. Gill certainly has.
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- Rachel Redford

Disappointing

Nothing much here. The narrator has a completely different accent to A.A.Gill and just reads it out like he is reading out some boriing rules. Why choose someone with a regional accent? Only stories from when he was very young - nothing about his later life.
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- gro bennett

Book Details

  • Release Date: 27-07-2017
  • Publisher: Orion