The Woman Warrior
- Memoirs of a Girlhood Among Ghosts
- Narrated by: Ming-Na
- Length: 7 hrs and 28 mins
- Unabridged Audiobook
- Release date: 18-01-11
- Language: English
- Publisher: Audible Studios
Ming-Na captures it all: the folklore ghosts, the family secret ghosts, and the ghosts who symbolized all that was new, confusing, and sometimes terrifying about life in America for Kingston’s parents. There is a deep well from which to draw: a story that the author created to honor an aunt whose name had never been spoken after she shamed the family in China, the sometimes comical but distressingly painful story of another aunt’s descent into mental illness after she simply could not transform from Chinese villager to Los Angeles-based American grandmother, and finally the piercing, heartbreaking tirade as teenaged Maxine unleashes a lifetime of pent-up confusion and anger at her Chinese mother. Through it all Ming-Na astounds and entertains and perfectly characterizes the author as she grows from a small child with a child’s sensibilities and impatience to the complex adult and gifted writer Kingston became.
The variety of characters in The Woman Warrior will have all who enjoy this selection certain that more than one performer is interpreting the book. Like the work itself, Ming-Na creates a wonderfully enjoyable illusion. Carole Chouinard
Now in audio for the first time, The Woman Warrior is read by television and movie star Ming-Na (ER, Mulan) in a performance that captures the book’s amazing spectrum of hope, longing, fear, and strength.
Kingston, winner of the National Book Award and National Humanities Medal, beautifully mixes reality and fantasy in relating her experience growing up a stranger in America and an outsider to her family’s history in China. Thanks to the author’s unique storytelling style and voice, this book remains one of the most commonly taught college texts in America. Hear it performed here for the first time.
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Customer ReviewsMost Helpful
Customer ReviewsMost Helpful
By Kenneth on 28-08-11
Hilariously Vicious; Touchingly Empathetic
This is a story about the collision of cultural across time. A generic 7th century culture collides with a generic 20th century culture.
Of course, time and place are interconnected. If the 20th century is the “American Century” then the 7th century (and maybe the 8th and 9th centuries as well) disserve(s) to be called the “Tang Century(s)”. So this is also about the collision of Chinese Village culture on the cusp of modernity and American culture near the maximum of its rate of ascendancy..
It seems to me like this book should be studied in literature classes as a quintessential example of the modern literacy style. It is a non-linearly collection of stories each of which plays with the distinction between fiction and non-fiction. It deliberately bends the distinction between autobiography and social commentary. It talks about ordinary people to make points about Great civilizations. It tells the most painful stories of desperation and betrayal as humor (although the humor is probably sharper if you are in fact Chinese). It toys with many of the other classical demarcations in literature (perhaps all of the classical demarcations) and yet manages to not feel (too much) like a teenager rebelling against tradition for the sake of rebellion. It is worth reading just to improve one's taste for high art.
It is dated. It’s usually different for Chinese born after Deng Xiaoping. But it’s a must read for understanding older Chinese women.
I have a ratings monetary policy problem. Too many of my ratings are 5 star, and too often, as in this case, I feel the need to give 6 stars. Perhaps I need to give more 4 star ratings so I save some room at the top.
6 of 7 people found this review helpful
By Alyssa on 23-01-11
This book doesn't follow any linear time line as a memoir might be expected to. It reads more like a series of vaguely related novellas. Most of the book doesn't even seem to be directly about the author, so much so that when she does begin to talk about her childhood at the end I found myself wondering where she thought she was going with it. This might not be the most anthropologically accurate picture of Chinese immigrants during the 50's or even of the author's own family, it's hard to tell, but it is interesting. The stories are entertaining and really that's the most important part.
9 of 11 people found this review helpful