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Weakness in the first half of the story both in narrative and performance improved in both categories in second half.
Nano Nagle's work here is all over the place in terms of pacing, differentiating characters, avoiding monotone, et al. But there's only so much she can do as a performer with subpar material. Fast forwarded through most of first
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I didn't like the voices used by the narrator for these familiar characters. Elizabeth sounded flighty and Bingley too serious.
1 of 2 people found this review helpful