Faust is one of the pillars of Western literature. This classic drama presents the story of the scholar Faust, tempted into a contract with the Devil in return for a life of sensuality and power. Enjoyment rules, until Faust’s emotions are stirred by a meeting with Gretchen, and the tragic outcome brings Part 1 to an end. Part 2, written much later in Goethe’s life, places his eponymous hero in a variety of unexpected circumstances, causing him to reflect on humanity and its attitudes to life and death.
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“Winner of AudioFile Earphones Award: If it’s been a while since you tackled Goethe's Faust like, forever don’t wait a moment longer. John R. Williams's sparkling English translation is delightful, full of wit and delicious rhymes, and would be reason enough to fling yourself at it, but this full-cast production more than doubles the pleasure. The actors play it as if we were all Faust and hell were going to be a lot worse than other people. The performances are marvelous, and the sound effects clever and often gorgeous (the choir!). After this rendering of 'Walpurgisnacht,' you’ll never see Halloween the same again. One might call this Harry Potter for grown-ups, except that the good guys well, I wouldn’t want to give away the ending. What a great theatrical experience.” (AudioFile)
“Goethe's Faust has had a huge impact on both musical culture and the Western legacy at large. So it seems fitting that we mention a rather wonderful dramatic enactment of the work on a new Naxos audiobook. It's abridged, which is a fine thing since a full version would last a veritable eternity. In effect Naxos AudioBooks has done for Faust what some of the classic London recordings of the '60s did for opera. It conceives of the soundstage and special potential of the modern recorded medium and how they can heighten appreciation for the work in ways that the stage or the book format cannot. So this production has very well-conceived sound effects, music, voice alteration and excellent dramatic recitation by the actor-reciters. Listen straight through and you get a vivid experience of the Faust drama in ways you would not get in any other form. The English translation is mellifluous and not stilted, and the recitation is terrific. Anyone who has appreciated the various settings of Faust by Gounod, Berlioz, Schumann, etc., will revel in the full drama enacted in the spirit Goethe intended. Of course this is a long work even in its abridged form. The ideal way to experience it first hand is in this audiobook. It makes what could easily be a bit of an ordeal an exciting and sonorously delightful experience, if you are a person of some patience. Highly recommended.” (Grego Applegate Edwards, Gapplegate Classical-Modern Music Review)
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A modern classic
- L WILSON