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This novel has all the hallmarks of Forster's work: connections, the wood as something beautiful / a haven, the ideas of class. The story twists around in the usual unpredictable Forster way. I enjoyed it more than I thought I would actually! Petherbridge is a great narrator and does justice to the novel.
7 of 7 people found this review helpful
Somehow, Edward Petherbridge's reading emphasises the Edwardian-ness - don't be surprised if you find yourself speaking in a rather clipped, golly gosh way after a few hours of listening! I'd like to hear it read by someone with a more modern voice, but maybe that would just sound wrong. I still think it's a wonderful story, sadly misrepresented by the film version (although the film is still worth watching). The book explores so many conflicts - class, art v industry, women v men, city v countryside - and much of the writing is profound. But some of the sentiments are 'of their time', especially about the motives and motivations of women.
6 of 6 people found this review helpful
Edward Petherbridge has exactly the Edwardian delivery that Foster needs. Can I give the narrator 10 stars? I read this book years ago but this reading that I bought on the recommendation of a friend, uncovers humor and nuances that I totally missed before. I actually lost sleep not wanting to turn if off for the night.
1 of 1 people found this review helpful
I was a little cautious embarking on this, having fallen asleep during the Emma Thompson movie version, but it was clear from the opening pages that I was in for a surprise - Forster's narrative and digressions fascinate endlessly. His theme of rootlessness remains highly relevant today, and he describes an England on the cusp of disaster with uncanny prescience. Leonard Bast's tragedy was amplified a million times over in the Great War just a few years after the writing as the Wilcoxes of the world plunged ahead heedless. Meditations on music and art, nature and landscape intersect with and complement the story, though it has power to move on its own as the characters shift and change in contact. Forster's style is quotable - he does not shy from taking on the big themes of life and death, art and commerce, town and country, clearly seeking a post-Christian settlement after the fashion of the age. Petherbridge's narration is sensitive and stately paced, only breaking the spell occasionally by sinking to an inaudible whisper during dialogues (inconvenient for listening while driving). This is not one to send you to sleep.