The superlatively analytical Inspector Hemingway is confronted by a murder that seems impossible – no one was near the murder weapon at the time the shot was fired. Everyone on the scene seems to have a motive, not to mention the wherewithal to commit murder, and alibis that simply don't hold up.
The inspector is sorely tried by a wide variety of suspects, including the neglected widow, the neighbour who's in love with her, her resentful daughter, and a patently phony Russian prince preying on the widow's emotional vulnerability and social aspirations. And then there's the blackmail plot that may – or may not – be at the heart of the case....
"Reading Georgette Heyer is the next best thing to reading Jane Austen." (Publishers Weekly)
"Pungent dialogue and A1 characterisation." (Time Magazine)
"Miss Heyer's characters act and speak with an ease and conviction that is as refreshing as it is rare in the ordinary mystery novel." (The Times Literary Supplement)
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Narration spoilt the book
Yes by Georgett heyer no to Ulli Birve
Stroy intriguing and always like Georgette Heyer's dialogue which is why narration so important.
Reading as an Australian would have been fine, but pretending to be English badly and totally unanimated reading ruined an author I really like so now I can't buy any more of her crime books.
Death by monotone
Would love to listen to anything by Heyer. Finely-tuned, intelligent, and funny.
Ngaio Marsh, Dorothy Sayers
It is hard to imagine a more relentless, humorless, dull reading, of such wonderful material. Amazing that some vague traces of the wit and sparkle of the author actually survive.
Terrific books, worthy of re-issue. Would be brilliant in the right hands