Summary

A body in the back of a taxi begins an elegantly constructed mystery, perhaps the finest of Marsh's 1930s novels. The season had begun. Débutantes and chaperones were planning their luncheons, teas, dinners, balls. And the blackmailer was planning his strategies, stalking his next victim. But Chief Detective Inspector Roderick Alleyn knew that something was up. He had already planted his friend Lord Robert Gospell at the scene. But someone else got there first...
©1938 Ngaio Marsh (P)2008 Hachette Digital
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Customer Reviews

Most Helpful
4 out of 5 stars
By R. D'Averc on 07-04-13

Great voice acting

Benedict Cumberbatch is fantastic at the voice acting in this one, there are times when you really forget that it is all just him and there isn't some elderly stiff upper lip gentleman or a querulous old woman acting it with him. The storyline itself is great and you will be working to figure out how the crime was pulled off, and serious kudos if you actually manage to guess it before the big reveal.

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5 of 5 people found this review helpful

5 out of 5 stars
By SheilaPower on 07-07-14

a trip to 30's high society

Would you consider the audio edition of Death in a White Tie to be better than the print version?

YES, the performance had the lively quality of a radio play. I felt every moment that I was in the room.

What was one of the most memorable moments of Death in a White Tie?

Inspector Alleyn description of Troy; "would he ever recover from the love of her"

What does Benedict Cumberbatch bring to the story that you wouldn’t experience if you had only read the book?

He has a mastery of voices that bring each character vividly to life, conjuring a whole person out of the air.

Was there a moment in the book that particularly moved you?

Allen and Troy' s reunion.

Any additional comments?

After listening to "death in white tie" I immediately downloaded another Marsh/Cumberbatch book.

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3 of 3 people found this review helpful

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Customer Reviews

Most Helpful
3 out of 5 stars
By Patricia McBride on 09-01-13

Abridgment, Narration Highlight Weaknesses

Would you say that listening to this book was time well-spent? Why or why not?

On the whole, probably not. I'm a fan of Ngaio Marsh and other classic English mystery writers largely for the restoratively escapist experience they provide -- the luxury of immersing myself in a not-too-serious puzzle in an elegantly mannered, rarified society at a distant time, without bothering my little head about the real world questions of social justice and an impermeable class system, economic depression, and xenophobia that also characterized these times. I also consider listening to the perfect vowels and resonant tones of Benedict Cumberbatch's voice a truly satisfying indulgence. Unfortunately, Cumberbatch doesn't do young women spectacularly well, and he does American women less successfully than English women. Since many of the most importent characters in this story, both the ones we're supposed to love and the ones were supposed to despise, are women, that fact makes the escapist exercise of suspending disbelief more difficult, the experience a bit less satisfying. Moreover, I have never thought that Marsh does very well by her characters when they are trying to express deep emotions, especially romantic ones. Lines that had struck me as uninspired or unsuccessful when reading this old favorite--but which I shrugged off, and read on in search of the bad guys -- are revealed as jaw-droppingly silly, vapid, even embarrassing in narration. (I suspect that the abridgment makes it even worse, as these things seem to come even more out of the blue than in the original, but I think the fault is there in the original.). Again, hard to stay rapt in the the moment when the urbane hero is making an implausible goob of himself. Overall I still enjoyed both the narration and the story, but I suspect that I could have spent the time on much more edifying or, alternatively, more effectively escapist, offerings.

How would you have changed the story to make it more enjoyable?

Either left the development of the Alleyn -- Troy romance to another time, or done much more with it, more believably. I also would have made Cumberbatch's interpretations of the characters "Donna" and Bridget less affected and more straightforward.

Which character – as performed by Benedict Cumberbatch – was your favorite?

A toss-up. Cumberbatch's voice is ideal for Alleyn: I don't think I'd want to hear anyone else do it. Cumberbatch brought out aspects of Lord Robert Gospell's character that I had overlooked when reading the book, so I was surprised and then impressed by what he did with that character.

Do you think Death in a White Tie needs a follow-up book? Why or why not?

As to writing, a moot point: there are many, many Alleyn books, and Dame Ngaio is no longer with us. As to recording, yes, absolutely. Cumberbatch should do as many of these books as possible, preferably focussing on books that have a high proportion of men and/or elderly women in the dramatis personae. And then he should do the Campion stories. And the Lord Peter Wimsey stories. And all the Sherlock Holmes.

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11 of 12 people found this review helpful

2 out of 5 stars
By Calliope on 01-07-14

bad pacing and narration

I hate to say this because I love Benedict Cumberbatch's speaking voice, but the narration on this audiobook is really bad - the pacing is too quick and, espcially with the fast pacing, it's difficult to tell one speaker from another. There are parts where the narration is much better and there is tone and emotion in the various character's voices, and other times when it sounds like the book is being read quickly with little inflection, as if under time constraints. I don't know if that's a post-production issue or if Cumberbatch read it that way.

I haven't decided if I'm going to continue or return it. I might choose an unabridged Ngaio Marsh title with a different narrator, as I can see some good mystery underneath it all.

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3 of 3 people found this review helpful

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