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Customer ReviewsMost Helpful
By Ms Lixie on 14-06-14
So confusing, unlike the previous three
The way the story is set out does not work at all in an audio format. The first time they time jumped with no warning I assumed I'd accidentally fast forwarded to another chapter and spent ages trying to work out where I should be in the recording. The random jumps were very confusing and with the ending being what it was I felt the whole thing was amazingly anticlimactic. Because of this, having heard the murderer's confession I didn't realise it was actually real until the book had almost finished. It's a shame as the basis of the story is as good as the other books.
3 of 3 people found this review helpful
By Harriet on 08-01-14
disappointing and confusing
What would have made Fear in the Sunlight: Josephine Tey Series, Book 4 better?
Fewer characters, a less confusing plot.
Has Fear in the Sunlight: Josephine Tey Series, Book 4 put you off other books in this genre?
What aspect of Sandra Duncan’s performance might you have changed?
It was OK but not brilliant.
What reaction did this book spark in you? Anger, sadness, disappointment?
Deep disappointment. I had enjoyed Nicola Upson's other Tey books but this one was so confusing I found it really hard to know what was going on. If I'd had a physical book I could have flipped back to see who was who and what was what, but with a huge cast of characters, many of whom seemed quite implausibly related, I just couldn't work it all out. What a shame.
2 of 2 people found this review helpful
Customer ReviewsMost Helpful
By Ilinca on 17-10-13
I've read the previous Tey novels and will read the new one soon, but here's the thing. I keep thinking I'm going to give each of them five stars as I read, and then, once I'm done, I can't in full honesty give them more than four.
I got to Nicola Upson by searching for Agatha Christie-like novels. Someone recommended her as similar on some forum. With Fear in the Sunlight, it all started like a Christie mystery - not the "later" part of the '50s, but the setting, the hotel, the guests, the two parties being gathered together. But what Christie does schematically, in twenty-five pages, Upson does in - well, it was an audiobook so I don't know exactly how many, but it felt like half of the book. She does it extremely well, no question: the people and circumstances come alive, and it does capture your attention.
The problem is what happens afterwards: so much energy is spent on creating the backdrop of the murders, that very little is left for the actual mystery. And the solutions to her mysteries, though not bad, are never quite as clever or plausible as everything else in the book. Other than that, they're great, and the narrator is excellent.