From the author of the international best seller The Stone Man, short-listed for Audible UK's Book of the Year Award 2015.
Here are the rules.
Method: you can't use a gun. You can't use explosives. You can't use poison. It has to be up close and personal. You don't have to worry about leaving evidence; that will be taken care of.
Victim: no one suicidal. No one over the age of 65. No one with a terminal illness.
Choose your method. Choose your victim.
Chris Summer was a 21-year-old call centre worker. A dropout. A nobody, still living at home with his parents. Then one day the Man in White came to his family's house, offering a seemingly impossible choice: kill a random stranger - one of Chris' choosing - within 12 days in order to save the lives of five kidnapped siblings. Refuse, and they die slowly and painfully.
The clock is ticking, the Man in White is watching and Chris has some very important choices to make.
This is a tale of fear, indecision, confused masculinity and brutal violence - a story of a coddled young man thrust into a world of sharp metal and bone. Ask yourself if you could do it. Then ask yourself who you would choose.
"For me there is no greater joy than seeing an artist excel at his craft...you'll be blown away by the abundance of ideas." (Ain'tItCoolNews.com)
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As exciting and unpredictable as ever
Who would I kill?
I’ll admit it, Kill Someone took me a lot longer to listen to than any of Luke Smitherd’s other books. Not in a bad way, quite the opposite in fact. See, the story revolves around a poor sod called Chris who has found himself in a bit of a pickle that can only by resolved by killing somebody (I hate when that happens - don’t you?). It doesn’t matter who he kills, all that matters is that he does, which got me thinking - who would I kill?
When I was listening to Kill Someone, I kept pausing for long periods of time to deliberate who I’d kill. Would I kill my postman? It wouldn’t be hard would it? I’d just order a new trouser press from Amazon, and as soon as he came lumbering up the path with it a few days later, I’d have at him with the garden shears. Chop, chop, chop I’d go, and I wouldn’t stop chopping until there were no more chops to chop. But, I’m not the most menacing of folks - maybe the postman would disarm me. Maybe he’d take away my shears and calm me down with reassuring words and hot bovril. I couldn’t kill a man who has offered me Bovril - could I?
It’s factors like this that make Kill Someone a very hard book to listen to quickly, because every decision that Chris makes forces you to think as him and really try to narrow down the best route to take. I won’t say anymore about Kill Someone other than it was tremendous, stupendous, horrendous and it drove me round the bendus. This is the second of Luke’s stories that don’t feature any hint of the supernatural (the first being How To Be A Vigilante: A Diary) which if anything makes them a little more sinister than the rest.
Buy this book right now, and while you’re at it bring me some Bovril. And a new trouser press. Vamos!
*I received a free copy of this audiobook in exchange for an honest review, and as you can see from the verified purchase mark I thought it was so good that I snapped my bank card in half and jammed it deep into my Macbook until Luke Smitherd got some of my ill gotten shillings.*
- Beet Nixon