An often light-hearted but massively important complete and unabridged audiobook, which makes many comments on present-day life despite being published over 50 years ago. The book was also made into a hit film starring Carol Reed and Alec Guinness in 1959, and has recently (2007) been the subject of a play adaptation staged in Guildford to a enthusiastic public reception.
"When Graham Greene is on comic form, he can't be bettered, and I chuckled merrily even on the M6 during a weekend drive to Cumbria and back. A good audiobook is immensely calming on such occasions; they should be issued free at service stations before notorious traffic congestion spots. Spare, elegant prose, hilarious set-pieces and a happy ending made Our Man in Havanna the perfect choice..."(The Times)
"...Greene's satire is playful in comparison with his other works - Catholic angst is mainly confined to Wormold's teenage daughter, and even for her there's no real contest between God and her horse. Greene's sense of the absurd strengthens the many tense scenarios, whilst the narration captures the ambience and the dialogue brilliantly, projecting a film in the listener's head."(The Oldie)
"The many characters in this satirical spy novel burst with personality, idiosyncrasies, odd mannerisms, and quirky conversation. A theatre director would be lucky to find multiple actors who could do justice to Greene's writing. Jeremy Northam, though, gives each character a distinct voice and presence all by himself. He makes notes of the details Greene uses to cast a character and takes off from there. His London intelligence chief, for example, is raspy and chilling, as if speaking from the grave. The agent Hawthorne sounds clipped and hurried, a touch anxious... Northam expresses them all as if accessing the same secret core that Greene imagined at the heart of all his characters..."(Audiofile)
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Customer ReviewsMost Helpful
By Emilia on 31-03-15
Very enjoyable, grit your teeth & ignore the music
For some reason this excellently read story is punctuated with long musical interludes: Cuban-style music when the action is in Havana and really badly produced, pompous music when it switches to the UK. The narrator, simply states the change of location anyway so it's also unnecessary for understanding the plot. I'm afraid it adds nothing but is a little annoying.
16 of 16 people found this review helpful
Customer ReviewsMost Helpful
By Dennis on 25-07-12
Classic British spy novel
Lets start with this, if you like classic mystery novels of the "Maltese Falcon" genre then this is going to be a great pick for you. The writing is solid and the plot is quirky enough to keep the interest of the reader, the performance is great and for the genre it is going to be a great experience. The ending, like all British spy novels wraps up in a very tidy package and the whole thing is very wholesome. If you like to dip your toe into the genre every now and then I would say "add to cart" and take a trip to Cuba pre-revolution.
8 of 8 people found this review helpful
By Jean on 05-08-11
Delete the Music and It Would Be Fine
Aaarrgh! I wish I had listened to the reviewer who said the music made listening to this book intolerable. I thought if was worth a shot because I liked the sample of Jeremy Northam's reading so much, but it was a complete waste of a hard-earned credit. It is the same wretched piece of music every single time, it plays ever five minutes, and it's louder than the reading (like commercials during TV shows). Someone should lose their job over this because it would have been so enjoyable otherwise.
35 of 38 people found this review helpful