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I Really did like this book, the narration moves from the male to the female character with elegance and the story is believable with each character well set for his station and time and I must add, intelligent. Even the ending was realistic. So many stories forget there provenance by trying to end with a big boom! And some of the best just don’t. They end when the story is over. Well done, I will be looking for this author again!
11 of 11 people found this review helpful
This crime novel is set in London at the beginning of the second World War. The story is told from the point of view of two people, an experienced police inspector and a young woman just recruited into M I 5. The plot is complex and the story is tightly plotted, author Laura Wilson does a fine job of recreating the feel of the capital, as it comes to terms with the imminent German bombing campaign. You get a real sense of how the gritty residents of London coped during the blitz. However the book does have a few small issues, many fine young women were recruited into the security services at this time and history shows us what a crucial role they played. From code breaking to risking their lives in France as part of the Special Operations Executive. My issue is that the main female character is so naive and gullible, would such a weak character have been recruited ?. I believe the author does a disservice to the brave young women who served with such distinction. That said, this story of murder, politics and national security is a fine book and may well work better when read as a paperback or as an ebook.
As an audiobook it has a problem, the use of two narrators. Both Sean Barrett and Anna Bentinck are first class narrators, but in this case two narrators makes the story feel somewhat disjointed. I felt the book worked much better when the two stories merged and the voice of Sean Barrett was used more frequently.
Having voiced my small issues with this novel, I did enjoy it and I have already purchased the second book in the series.
3 of 3 people found this review helpful
From doodle bugs and MI5 to Teddy Boys, Billy Graham and the bomb - it's all there in the background of this series.
I finished the four in the series to date. Each gets stronger as novel, though the central crime involved may make one more interesting than another to you. The novels can be read as stand alones, each with enough backstory but not too repetitive in that respect, as some series can be.
There are good WW2 (and then 1950s) setting details, comparable to WWI Maise Dobbs series, except Stratton is an ordinary detective inspector, with very ordinary human failings --kind of a Rebus in a historical setting, though Wilson doesn't approach the inventiveness of an Ian Rankin ( but then either did Rankin in his first half dozen novels). Good dialogue.
These are not edge-of-seat thrillers, but there is some gristle - though never for shock value (# 3 had the most detail of corpses and post-mortems). There are a few but spare R rated words. Sex is obliquely handled, with nothing explicit, but there are some adult themes, adding to the realism. LG issues are treated sympathetically, but in character for the time.
This probably won't be a long drawn out series: The first is set in 1940; second jumps to 1944; then 1953 and 1956, respectively -- all rich with the gritty daily grind in WW2 and aftermath London, something we North Americans need to be aware of to understand Britain.
Narrator Sean Barrett is a this very best as Stratton and handles all the characters well.
6 of 6 people found this review helpful