Summary

A man's body is found below a waterfall. It looks like suicide or an accidental drowning – until DI Frannie Bliss enters the dead man's home. What he finds there sends him to Merrily Watkins, the Diocese of Hereford's official advisor on the paranormal.
It's nearly 40 years since Hay was declared an independent state by its self-styled king. A development seen at the time as a joke, a publicity scam. But behind this pastiche a dark design was taking shape, creating a hidden history of murder and ritual-magic, the relics of which are only now becoming horribly visible. It's a situation that will take Merrily Watkins – alone for the first time in years – to the edge of madness.
©2013 Phil Rickman (P)2014 Isis Publishing Ltd
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Customer Reviews

Most Helpful
5 out of 5 stars
By P. F. Mcwilliams on 04-05-16

exemplary

Creepy tale , perfect combination of fact, fiction, ancient and modern. Outstanding performance. from narrator.

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2 of 2 people found this review helpful

5 out of 5 stars
By Johnny Johnson on 09-02-18

My favourite Phil Rickman story so far

My favourite Phil Rickmsn story so far, maybe apart from perhaps the book that introduced me to him - The Man in the Moss. Not sure why it's taken me so long to catch up again, but this is fantastic. All the memories from my late teens in the mid eighties in Worcestershire and Herefordshire brought to life in and around Hay-on-Wye, with the perfect blend of folklore, mysticism, spirituality and human nature.

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1 of 1 people found this review helpful

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Customer Reviews

Most Helpful
3 out of 5 stars
By Bette on 06-09-15

I Gotta Stop

TRYING to listen to the Merrily Watkins books. They're okay; entertaining stories written in Rickman's easygoing 'you can almost smell the instant coffee' style but the narrative....OH! the narrative!
I could not hear a full third of this narrative.
I've listened to these books on three different devices over the past few years and this happens with no other audible books so it's not a technical problem. My husband is from the West country and some of my best friends are Welsh, so nothing is lost in translation.

It's the narrative choices; in all of the Merrily Watkins books narrator Emma Powell uses hushed tones, lowered tones and whispering way too much. In the Magus of Hay, she seemed to use these techniques at every critical point. I actually gave up; listening to the end, but no longer rewinding every five minutes so that I still don't understand how some mysteries were resolved.

Rickman does like to layer his Merrily mysteries- physical, metaphysical and political intrigue abounds. The Magus of Hay has less that the usual share of church politics (my favorite subplot), but seems to be gearing up for a boatload of church gender politics in the next installment. The greatest mystery I encountered in The Magus of Hay was 'what was Rickman's agenda?'. I couldn't get past the feeling that the unusually (for Rickman) contrived plot and characters were all related to the UK literary scene and the whole book was an inside joke I didn't understand.

Maybe I'm way off base- maybe it's that I couldn't hear it. I wish we had comments enabled so someone could tell me.

I do have something to add- Ms Powell is a good, solid narrator. These book productions are directed and edited. It is up to the people who vet the productions by listening to them to decide what works and what doesn't. They must listen in a soundbooth with giant noise cancelling headphones and zero ambient sound. That's not possible in the real world.

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2 of 2 people found this review helpful

5 out of 5 stars
By Kindle Customer on 12-07-16

The Magus of Hay begs to be heard

Phil Rickman's detailed, atmospheric writing is perfect for an audio book, and Emma Powell does a wonderful job bringing both place and characters alive.
I highly recommend this Audible rendering of a sumptuous novel that begs
to be heard as well as read.

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1 of 1 people found this review helpful

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