The new Hercule Poirot novel - another brilliant murder mystery that can only be solved by the eponymous Belgian detective and his ‘little grey cells'.
The best-selling novelist of all time.
The world's most famous detective.
The literary event of the year.
Since the publication of her first book, in 1920, Agatha Christie wrote 33 novels, two plays, and more than 50 short stories featuring Hercule Poirot. Now, for the first time ever, the guardians of her legacy have approved a brand-new novel featuring Dame Agatha's most beloved creation.
Hercule Poirot's quiet supper in a London coffee house is interrupted when a young woman confides to him that she is about to be murdered. She is terrified, but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.
Later that night, Poirot learns that three guests at a fashionable London hotel have been murdered, and a cufflink has been placed in each one's mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim....
In the hands of internationally best-selling author Sophie Hannah, Poirot plunges into a mystery set in 1920s London - a diabolically clever puzzle that can only be solved by the talented Belgian detective and his ‘little grey cells'.
"Sophie's idea for a plot line was so compelling and her passion for my grandmother's work so strong, that we felt that the time was right for a new Christie to be written." (Mathew Prichard, Chairman of Agatha Christie Limited and grandson of Agatha Christie)
"We Agatha Christie fans read her stories - and particularly her Poirot novels - because the mysteries are invariably equal parts charming and ingenious, dark and quirky and utterly engaging. Sophie Hannah had a massive challenge in reviving the beloved Poirot, and she met it with heart and no small amount of little gray cells. I was thrilled to see the Belgian detective in such very, very good hands. Reading The Monogram Murders was like returning to a favorite room of a long-lost home." (Gillian Flynn)
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A Poirot travesty
Every single aspect. The many non-English accents used by the narrator were grating on the ear, The plot was- frankly - awful. Fiction requires the 'willing suspension of disbelief' and while some lack of realism is acceptable, this book was too ridiculously unrealistic for comfort. A Scotland Yard detective who leaves corpses in an unguarded crime-scene overnight and goes home to mope.... one of the many badly written scenarios presented in the first hour of listening, Characterisation was shallow and anyone with a concept of Poirot needs to avoid this book at all costs because in this book, the weak and inconsistent character presented jars on the listener. Every scene is drawn out to beyond tedium - so much so that summoning enthusiasm and commitment to the story is impossible, and the elaboration so extensive that you forget what the original premise of the scene was supposed to be.
Not written it.
It was dire - the worst book I've encountered in a long time.
How a publishing house editorial team allowed something with such glaring weaknesses to reach publication, is quite beyond me.One example, taken from several I could quote: the mysterious sherry is referred to as 'Harveys Bristol Cream'. That phrase jarred on the ear - would it have been known as such in the 1930s (or whenever this farago was apparently set)? Quick online research suggested that this marketing phrase to describe the product was developed in the 1960s. Before mass-media advertising, products would rarely have been referred to in this way.
Although Rind-Tutt has a pleasant voice, it does lack variety in tone. In his defence, he had long boring, dull passages to read so it was an uphill task to enliven the text.. Many actors have dismally failed to deliver Poirot in a realistic, non-caricatured way, and Rind -Tutt has now joined their ranks (Only David Suchet and John Moffatt have succeeded.) However, the accents of the boiler maker and restaurant staff were equally caricatured and I found them unpleasant to hear. The boiler maker mocking Poirot's accent was particularly grim.
All of them. The only interesting character was Fee, the waitress, who showed some insights and made some telling statements which - exasperatingly - were not followed up by Poirot. You had the feeling that if she had only stated what she knew, she could have solved the mystery without troubling Poirot or poor pitifully drawn Catchpole.
I live in Holland and had an unexpected day of driving ahead of me so swiftly downloaded an audiobook to keep me engaged and chose this one because of misleading ratings. I've asked Audible to restore my credit under the Great Read Guarantee as this was far from that. I endured 5 hours of it because I had no alternative - but deleted it from my device at the end of the journey. I very rarely give up on a book, feeling that you have to judge it as a whole - but my life is too precious to waste another moment listening to such tosh.
The Boring Monogram Murders
Some one who is not an Agatha Christie fan, even then, maybe not.
Any other Agatha Christie to get the mood back.
Sorry, too much over the top as Hercule Poirot
The story could have been OK if it had been a good deal shorter
I found it long winding and boring. At one point I thought the conclusion was drawing near i noticed there were over three hours left. It just goes on, and on, and on.
In no way would Agatha Christie have written this book.
I am really disappointed as one critic said that Agatha Christie fans would nor be disappointed, well, the critic was wrong.