Homicide detectives Kate Martinelli and Al Hawkin are investigating the death of a man whose cremated remains are found in San Francisco’s Golden Gate Park. Implicated in the death is Erasmus, a wandering soul and latter-day Shakespearean Fool who Kate doubts is guilty. He will say nothing to point the investigation away from himself, and Kate must not only prove his innocence, she must also nail the real killer.
"To Play the Fool is quite wonderful" (Boston Globe)
"Original and subtle" (Evening Standard)
"One of the most literate and gifted writers the mystery world has seen" (Val McDermid)
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A good story well narrated
Okay story, dull reading
Don't think I'm going to make it that far!
Little expression, no characterisation. Conversations sound like bad 50's acting.
I haven't connected with any of the characters in this book. The reading infuses little, if any, life into them. Kate appears boring and bland.
Usually I listen carefully to my audiobooks, and will rewind if I miss bits. With this book, I just don't care. My mind is drifting frequently, but I can't be bothered going back. The action is so slow, I haven't missed much anyway. On top of this, the recording quality is poor. When the volume is turned up high (which for me is necessary when I'm in the garden) there is a background hiss with another voice faintly audible, as if it was recorded with talkback radio playing in the next room.