- Narrated by: David Timson
- Length: 1 hr and 19 mins
- Unabridged Audiobook
- Release date: 26-10-12
- Language: English
- Publisher: Naxos AudioBooks
Thomson Smillie and David Timson infuse their exploration of Die Fledermaus with as much life as the operetta itself. The most rewarding and memorable extracts are included, and the whole piece is tantalizingly introduced - a trip to see it has to be the next step! Timson begins, "'Nostalgia', as the saying goes, 'may not be what it used to be,' but thank goodness we still have Johann Strauss’s Die Fledermaus!"
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio.
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Customer ReviewsMost Helpful
By Zaubermond on 08-12-13
Revenge of the bat
Why is this opera called "The Bat?" In a nutshell, two gentlemen, Eisenstein and Falke, in the costumes of a butterfly and a bat, respectively, attend a winter masquerade. On the way back, Eisenstein, taking advantage of Falke's inebriated state, abandons him far from his home. When he wakes up, he has to walk through the town in his bat costume, to his undying embarrassment and the amusement of his fellow citizens. Naturally, he wants to get his own back, and it is for this reason the opera is called, "The Bat."
From this simple premise, the plot becomes "maddeningly complex," as the author rightly says. There are "multilayered and omnipresent infidelities," disguises, deceptions, drinking, dancing, and entirely too much carrying on. An opera featuring "Adele's Laughing Song" should be fun!
As with so many things that seem effortless, back-breaking work goes before. While Johann Strauss II hadn't much experience writing for the theatre before he composed this, you'd never know it. He has more than a few operatic tricks up his sleeve, including the masterful use of crescendo and accelerando. The author brings attention to Strauss' use of rubato, which he refers to as "stealing time to avoid schmaltz." Some of the roles require nothing less than a virtuoso performer. But the result is accessible, light-hearted, and fun.
A bottle of champagne to David Timson for his narration, and to you should you tackle "Die Fledermaus" during this, its rightful season!
3 of 3 people found this review helpful