Summary

Steve Coogan was born and raised in Manchester in the 1960s, the fourth of six children. From an early age, he entertained his family with impressions and was often told he should "be on the telly". Failing to get into any of the London-based drama schools, he accepted a place at Manchester Polytechnic School of Theatre and before graduating had been given his first break as a voice artist on the satirical puppet show Spitting Image.
The late '80s and early '90s saw Coogan developing characters he could perform on the comedy circuit, from Ernest Moss to Paul Calf, and in 1992 he won a Perrier award with John Thomson. It was around the same time, while working with Armando Iannucci and Patrick Marber on On the Hour and The Day Today, that Alan Partridge emerged almost fully formed.
Coogan, once a tabloid fixture, is now a respected film actor, writer and producer. He runs his own production company, Baby Cow, and has a raft of films to his name (from 24 Hour Party People to Alpha Papa, the critically acclaimed Partridge film), six Baftas and seven Comedy Awards. He has found huge success in recent years with both The Trip and Philomena, the latter bringing him two Oscar nominations for producing and cowriting.
In Easily Distracted he lifts the lid on the real Steve Coogan, writing with distinctive humour and an unexpected candour about a noisy childhood surrounded by foster kids, his attention-seeking teenage years and his emergence as a household name with the birth of Alan Partridge.
Narrated by Steve Coogan himself.
©2015 Steve Coogan (P)2015 Random House AudioBooks
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Customer Reviews

Most Helpful
2 out of 5 stars
By Mr Duncan J Burden on 15-12-15

Self conscious autobiography.

Just before the release I went to see Coogan and Ianucci at a Guardian live event - a thoroughly enjoyable evening and one which boosted my expectations for the biography.

To be frank, the thing reads (or listens) like a string of reviews that Coogan wishes he'd received for his life's works. When he's not talking up his own book, he painstakingly tries to justify his Champagne socialist attitude to life with tenuous references to his childhood. And I really do mean tenuous. I'm a huge fan of just about anything Coogan has appeared in, but this just reeks of 'stocking filler'.

The narration sounds rushed and emotionless at points where he speaks of moments in his life where he cannot paint himself as a saint. But where he is pandering to himself, he takes his time and my word do those passages drag on.

Utterly disappointing.

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30 of 33 people found this review helpful

3 out of 5 stars
By Jamil Husain on 04-12-15

Two Halves!

Would you recommend this book to a friend? Why or why not?

Big fan of Coogan, not sure why he felt he had to write this; first half is about about his reputation and recent press privacy issues, second half is his uneventful childhood which is narrated in an Alan Partridge way.

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14 of 15 people found this review helpful

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