Former academic Arthur Opp weighs 550 pounds and hasn’t left his rambling Brooklyn home in a decade. Twenty miles away in Yonkers, seventeen-year-old Kel Keller navigates life as the poor kid in a rich school and pins his hopes on what seems like a promising baseball career - if he can untangle himself from his family drama. The link between this unlikely pair is Kel’s mother, Charlene, a former student of Arthur’s. After nearly two decades of silence, it is Charlene’s unexpected phone call to Arthur - a plea for help - that jostles them into action. Through Arthur and Kel’s own quirky and lovable voices, Heft tells the winning story of two improbable heroes whose sudden connection transforms both their lives. Like Elizabeth McCracken’s The Giant’s House, Heft is a novel about love and family found in the most unexpected places.
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By Mel on 19-04-12
"The first thing you must know about me is that is I am colossally fat. I eat what I want, and furthermore, I eat whenever I want...and I do feel very shy and sort of encassed in something, as if I were a cello, or an expensive gun..." so the character Arthur writes about himself in an unflinching confessional letter to a former love whom he has not seen for decades..when he was merely "plump." The self-described grossly obese Arthur is given a distinguished and compassionate voice by narrator Keith Szarabajka, in a remarkable performance that brings real heart and soul to this wretched lonely human being.
On the opposite end of the physical scale is Kel: tall, blonde, high school heartthrob that leaves his letter jacket on the shoulders of his girlfriend, then drives off in his BFF's BMW. But, Kel crosses the tracks and goes to a run down home, to a mother he disdains for her weaknesses; she is passed out on a sofa wearing a holey T-shirt that reads: It's 5:00 Somewhere! His father walked out when he was 4--he is so sure that his father is the source of his own tall good looks, his extraordinary athleticism, and all that is good in himself; while Mom represents imaginary illnesses, excuses, failures, and all he deems repellent. Also in this wonderful cast is Yolanda, the tiny pregnant Latino cleaning girl, whose sequined-sneakered feet dangle over the sofa when she breaks to watch her favorite soap on TV, and who yells at the honking cars during a huffing Artur's first arduous walk in years, "Hey! I'm pregnant here!"
Heft is a superb character-driven novel that had me in tears more than once. From Arthur's apprehensive yet straighforward introduction, to Kel's self-aware confessions of sorrow and regret, and the streetsmart directness of sassy Yolanda--- Moore has written a bittersweet intersection masterpiece that will etch itself in your heart. With such a significant novel...it is hard to conform to M. Twain's advice: "when you catch an adjective, kill it!" With apologies to Twain...Heft is elegant, beautiful, unforgettable, wise, tender, hopeful, humble, and what it is to be HUMAN; one of my all time top picks. I hope you enjoy this one.
374 of 386 people found this review helpful
By Jean on 17-02-13
Masterful character development
I realized nearing the end of this book that I was saying a silent prayer: Please don't end please don't end... I want to follow these people's lives forever. Arthur and Kel's characters were so deftly rendered that there was never a hint of self-pity or melodrama about them. I haven't felt such empathy for fictional characters in a long time. This wonderful book deserves more than five stars.
108 of 112 people found this review helpful