Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence). The "unstuck" nature of Pilgrim's experience may constitute an early novelistic use of what we now call post-traumatic stress disorder; then again, Pilgrim's aliens may be as "real" as Dresden is real to him.
Struggling to find some purpose, order, or meaning to his existence and humanity's, Pilgrim meets the beauteous and mysterious Montana Wildhack (certainly the author's best character name), has a child with her, and drifts on some supernal plane, finally, in which Kilgore Trout, the Tralfamadorians, Montana Wildhack, and the ruins of Dresden do not merge but rather disperse through all planes of existence.
Slaughterhouse-Five was hugely successful, brought Vonnegut an enormous audience, was a finalist for the National Book Award and a best seller, and remains four decades later as timeless and shattering a war fiction as Catch-22, with which it stands as the two signal novels of their riotous and furious decade.
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Customer ReviewsMost Helpful
By Simon on 05-06-17
Did I Enjoy it or Experience it?
"Unputdownable", "unmissable", "unreadable" we've seen them all in amongst the many reviews that populate sites like Audible and Amazon. Well how about "unreviewable"? That's pretty much how I'm finding Kurt Vonnegut's "Slaughterhouse Five".
Audible have it in the Fiction-Humour section. There is some really black humour in there but particularly in this form with James Franco's laconic drawl it really isn't going to have you searching for the LOL icon. It's often described as sc-fi but although yes there is a race of aliens so it can reasonably have that tag attached to it I wouldn't call it that either. It's also a book about war and here is where, if anywhere, I would settle. After all it was inspired by the author's real experience of World war II and in particular the Dresden bombing. Even if I settle on that though it isn't going to satisfy anyone who wants a detailed account of the awful events that took place there.
My take on it, which is just one of many possible conclusions, is that this is a story of a confused mind left traumatised by life and particularly the sheer inhumanity of the war. It jumps around time but there are clear signposted images of how Bill Pilgrim's personal narrative came about. I don't think the aliens in Vonnegut's story are supposed to be real, they are figments of Pilgrim's tortured imagination designed to reconcile him to what has happened to him. A Three Musketeers candy wrapper, some sci-fi books he adores and the similarities to those stories and so on are cleverly placed.
The result of his time displacement though is that the story is deliberately disjointed and at times the links aren't obvious or indeed even there. As a representation of a troubled mind I think it's excellent and would recommend the book on that basis. Whether that is actually enjoyable though will very much be a matter of taste. I'd say give it a go because it is very, very clever but be prepared that it might not meet your personal taste. I'm still not convinced as to whether I enjoyed it or simply experienced it. The fact that I'm struggling with it in so many ways is as good a reason to recommend it as any though if you want a reading challenge.
14 of 17 people found this review helpful
Customer ReviewsMost Helpful
By Darwin8u on 22-01-17
Everything is nothing, with a twist.
I've read Slaughterhouse-Five several times and I'm still not sure I know exactly how Vonnegut pulls it off. It is primarily a postmodern, anti-war novel. It is an absurd look at war, memory, time, and humanity, but it is also gentle. Its prose emotionally feels (go ahead, pet the emotion) like the tug of the tides, the heaviness of sleep, the seduction of alcohol, the dizziness of love. His prose is simple, but beautiful.
Obviously, part of the brilliance of this novel is born from the reality that Vonnegut is largely playing the notes of his own song (obviously, obscured by an unreliable narrator, time that is unstuck, and generous kidnapping aliens). It is the song of someone who has seen horrible, horrible things but still wants to dance and smile (so a Totentanz?).
Emperor, your sword won't help you out
Sceptre and crown are worthless here
I've taken you by the hand
For you must come to my dance
I had to work very much and very hard
The sweat was running down my skin
I'd like to escape death nonetheless
But here I won't have any luck
It is essentially art pulled out of the tension between despair and hope, grief and celebration, love and death. It is a classic not because it has a message about war, but because it has a message about life. Vonnegut aimed at war and hit everything.
67 of 73 people found this review helpful
By tru britty on 04-08-16
So it goes...and I didn't want it to end
I have read this book three times and listened to Ethan Hawke read on CD twice.
James Franco adds an incredible voice to this classic anti-war novel with its disjointed chronology. He is deadpan and on the mark, giving the satire room to breathe.
As for the novel, I was forced to read it in high school and reluctantly fell in love the shambling WWII vet Billy Pilgrim.
He flops between time periods like an awkward flamingo, makes a living as a bored optometrist, makes love to his giant of a wife and infuriates his daughter with tales of alien abduction. And what middle-ager wouldn't want to be abducted if his co-abductee were a bosomy porn star?
There's also an extraterrestrial zoo.
Vonnegut has written a masterpiece.
19 of 21 people found this review helpful