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Would you consider the audio edition of The Epiphany Machine to be better than the print version?
I have not read the print version, but I would guess that the audio edition is better since Ari Fliakos narrates this book.
Who was your favorite character and why?
Adam Lyons because his character adds the right amount of comedy to this book.
What about Ari Fliakos’s performance did you like?
This is my fourth audiobook by Ari. He is the best narrator I've heard on Audible. I probably would not have downloaded this title unless I'd seen that Ari narratied it. I'm glad I did. The story was great.
Who was the most memorable character of The Epiphany Machine and why?
Adam Lyons was the most memorable because he owns the mysterious Epiphany Machine.
Any additional comments?
For anyone who loves a great story that is paired with great narration, this is a title for you. The Epiphany Machine is well-written, clever, and interesting. It's early in 2018, but, for me, this is the best audiobook so far. Stay tuned.
7 of 7 people found this review helpful
Enlightenment comes to the most dull-witted.
Franz Kafka, In the Penal Colony
Words are like weapons: they wound sometimes.
Diane Warren, If I Could Turn Back Time
From epigraphs to The Epiphany Machine.
My first thought is actually a question considering that this novel is great and somewhat similar to, and likely even better than, 2016's The Nix. Mr. Gerrard, who teaches creative writing in NYC at the 92nd Street Y, The New School, and the Sackett Street Writers' Workshop, hits our contemporary culture right between the eyes, as did Nathan Hill in The Nix. So, my question: is Random House--whose imprint published The Nix--that much better at pushing their books than Penguin's imprint for The Epiphany Machine? Where is the Love? I should probably say here that no one pitched this novel to me, or gave me a free copy of it; I bought it after reading a few rave reviews.
Perhaps the initial hesitation of reviewers and readers alike to pick up this literary gem comes from the sci-fi element in it. The plot surrounds a contraption discovered by its owner in the 1960s that will tattoo your epiphany on your inner forearm, a sort of modern-day oracle in a way, whose customer list has included John Lennon and a number of other luminaries. Set in NYC, mainly from the late 1990s to the present, the sales pitch for the machine in its early years was *Everyone else knows the truth about you, now you can know it, too.* The idea, in theory, is that *once you know your biggest secret, you can accept it* and consider it as a revelation of self to help you go through life, or something like that.
For example, the epiphany of the protagonist Venter Lowood, both of whose parents were among the earliest recipients of epiphany tattoos, is *dependent on the opinion of others.* Epiphanies can be much more vague though, such as that on Venter's best friend, *Likes to blow things up,* who, as a budding playwright, the friend took to mean blowing up his mother's expectations of him becoming a physician and of him marrying a girl of his own faith.
Mr. Gerrard makes this centerpiece work as a believable machine that people want to use and creates a credible growing importance of the machine in contemporary culture, much as he makes the characters seem real and true.
In any case, the sci-fi element should be a reason for even more chatter rather than a cause for pause. Consider that quality sci-fi/lit genre-benders come along only every so often and the good ones have actually rocked the world: See, e.g., Brave New World, 1984, Frankenstein, The Handmaid's Tale, the works of Franz Kafka, Slaughterhouse-Five, Fahrenheit 451 and The Road, and resulted in literary acclaim and/or moderate commercial successes of late such as Life After Life, The Plot Against America, Cloud Atlas, Never Let Me Go, Murakami's novels and The Time Traveler's Wife.
This fascinating and brilliantly inventive bildungsroman moves quickly and keeps up the interest with well-developed characters and strong, morally intricate storylines. The novel touches upon issues of accountability, truth, destiny, privacy, responsibility, our inability to see what is obvious to everyone but ourselves, and our susceptibility to our ancient enemy in our self-rationalization of morally wrong actions. It is full of allusions and similarities in tone to Joyce, Kafka and Wm. Burroughs, as well as smart nods to literature and writing.
My one complaint--that the transition into the post-9/11 abuses didn't seem to quite fit--is far outweighed by the book's poignancy, its intriguing characters, its crystalline critiques of contemporary American culture, and the fun of reading it.
I highly recommend this one, which some are saying may end up a Cult Classic.
10 of 12 people found this review helpful