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Loved this from start to finish, very intimate detail in places, so maybe not for a prude, but very very entertaining. The characters develop well and you really start to get to know them. Being read by the author (Esp when it is Stephen Fry) is always a bonus.
5 of 5 people found this review helpful
If you could sum up The Liar in three words, what would they be?
Funny, Witty, interesting
What other book might you compare The Liar to, and why?
I've honestly got nothing to compare this to. It is very stange with a winding plot that still remains interesting. The individulal scenes are excellantly written and acted. Especially near the end.
What does Stephen Fry bring to the story that you wouldn’t experience if you had only read the book?
He is the greatest voice actor in the world. I think that is understood. The book wouldn't be half as good without him and he's the reason i bought the book.
Was there a moment in the book that particularly moved you?
Any additional comments?
If you like Stephen Fry in both his writing and voice acting then buy this book. If you don't like him then you won't like this. It is Stephen to the core.
3 of 3 people found this review helpful
A splendid book - it has its twists and its turns, and although at times you notice with a knowing smile its rather formulaic, traditional narrative structure/devices, it nonetheless charms you with its marvellous language, deliciously humorous anecdotes, and intriguing plot. And the way Stephen reads it, oh my, oh my.
What did you like best about this story?
British comedian Stephen Fry's first novel is a witty love letter to English philology and the author's semi- and pseudo-autobiographical experiences in Britain's elitist and—if the author, who kindly begins his novel with the line “Not one word of the following is true”, is to be believed—highly homoerotic public schools.
Written in a series of jump-forwards and flashbacks the story follows Adrian Healey, a flamboyant gay intellectual growing up in Thatcherian period England, whose excel in wittiness is only bested by his remarkable ability to deceive. This trait eventually captures the interest of his Cambridge tutor Professor Donald Trefusis, through whom Healey becomes intertwined with a sort of daffy albeit singular Cold War spy adventure.
Fry's dapper treatment of the English language is certainly the most enjoyable part of this light-hearted fiction filled with juvenile but clever and high-brow but stinging jokes and fables, and this delight is only heightened when the book is listened to narrated by the author himself (audiobook available on Audible, for example). The constant jumps between three different periods in the protagonist's life can, however, make the story strenuous to follow and, frankly, fail (at times) to keep up the suspense and/or mystery that the author probably intended for these jumps to convey.
Apart from all the churlish (but funny) sexual affections of the protagonist (or the narrator) the novel does also have a deeper theme of questioning what is the meaning of lies, fictions and untruths in the formation of anything that is truly human, and for that I would recommend it not only as light summer reading but serious food for thought for anyone interested in the humanistic sciences.