Longlisted – Baileys Women’s Prize 2014
Man Booker Prize, Fiction, 2013
Canadian Governor General's Literary Award, 2013.
It is 1866 and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of 12 local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a whore has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky.
The Luminaries is an extraordinary piece of fiction. Written in pitch-perfect historical register, richly evoking a mid-19th-century world of shipping and banking and goldrush boom and bust, it is also a ghost story, and a gripping mystery. It is a thrilling achievement for someone still in her mid-20s, and will confirm for critics and listeners that Catton is one of the brightest stars in the international writing firmament.
Eleanor Catton was born in 1985 in Canada and raised in New Zealand. She completed an MA in Creative Writing at Victoria University in 2007 and won the Adam Prize in Creative Writing for The Rehearsal. She was the recipient of the 2008 Glenn Schaeffer Fellowship to study for a year at the prestigious Iowa Writers' Workshop in the US and went on to hold a position as Adjunct Professor of Creative Writing there, teaching Creative Writing and Popular Culture. Eleanor won a 2010 New Generation Award. She now lives in Wellington, New Zealand.
"The Luminaries is an impressive novel, captivating, intense and full of surprises.” (Times Literary Supplement)
“The Luminaries is a breathtakingly ambitious 800-page mystery with a plot as complex and a cast as motley as any 19th-century doorstopper. That Catton's absorbing, hugely elaborate novel is at its heart so simple is a great part of its charm. Catton's playful and increasingly virtuosic denouement arrives at a conclusion that is as beautiful as it is triumphant.” (Daily Mail)
“It is awesomely - even bewilderingly - intricate. There's an immaculate finish to Catton's prose, which is no mean feat in a novel that lives or dies by its handling of period dialogue. It's more than 800 pages long but the reward for your stamina is a double-dealing world of skullduggery traced in rare complexity. Those Booker judges will have wrists of steel if it makes the shortlist, as it fully deserves.” (Evening Standard),br />“Eleanor Catton is nothing if not ambitious. Her latest novel, longlisted for this year's Man Booker prize, is an 828-page blockbuster. With astonishing intricacy and patient finesse, Catton brings to life the anomalous nature of 19th-century New Zealand.” (Sunday Times)
“Expansive and quite superb. Catton writes with real sophistication and intelligence... with intricate plotting and carefully wrought scenes.” (Scotsman)
“Every sentence of this intriguing tale set on the wild west coast of southern New Zealand during the time of its goldrush is expertly written, every cliffhanger chapter-ending making us beg for the next to begin. The Luminaries has been perfectly constructed as the consummate literary page-turner.” (Guardian)
“For the scale of her ambition and the beauty of its execution, somebody should give that girl a medal.” (Lucy Daniel, Daily Telegraph)
“a truly exciting new writer” (Kate Atkinson)
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Beautifully written, but slower than a snail
Wonderfully written for the first 4 hours ...... after 8 hours of having barely progressed on the plot line, and going layer by layer over and over the initial two events .... I was rapidly losing interest. And another 12 hours to go. If her next book was more condensed, definitely as she is a remarkable writer. The narration was excellent.
Something a LOT pacier.
Mark Meadows reads with good pace, and manages effectively to capture all of the different global accents of the characters - bar the Mauri who comes over in a South African rather than New Zealand accent.
Yes definitely film/tv material and would work well conversely being forced to be condensed - something which usually doesn't work from book to film.
- Pippa Lamb
I tried but failed to like this book
I really struggled through this book, mainly because I just didn't care about ANY of its characters and the story wasn't gripping enough to engage my interest as it winds its way painfully slowly from beginning to damp squib ending. I didn't bother trying to understand the astrological aspect, though maybe had I read the novel rather than listened to it I might have got more from that. The chapter headings becoming progressively longer than the shortening chapters was tiresome. The way the story turns back on itself annoyed me, too, because it made me feel I wasn't getting anywhere despite devoting so many hours of my time listening to the book, hearing about the same few events from too many different perspectives. There is no emotional centre and the story ultimately doesn't seem to matter, since it just fizzles out. Seems to me the writer is more concerned with form and being clever, the novel as an intellectual exercise, which makes it shallow and heartless. I formed no attachment to any of the (too) many characters because they are not written as real people but the embodiment of astrological signs. If they adapt the book for the screen, which is inevitable, they should film it like the recent "Anna Karenina", a play on a theatrical stage.
The skill of the reader was all that kept me going to the end. I suspect I would have abandoned the book had I been reading rather than listening. So yes, I would listen to another of his narrations.
I was disappointed because I had high hopes going in. Normally I love long, meaty novels such as Hilary Mantel's "Wolf Hall" and "Bring up the Bodies", and have previously enjoyed 19th C pastiche such as Charles Palliser's "The Quincunx". I was frustrated that this novel puts form and structure above pace and narrative drive. I was annoyed that the final section (after the conclusion of the trial) adds little or nothing to the story to justify dragging out its length.
I did enjoy the period New Zealand setting and background detail about gold mining. Eleanor Catton is young and very talented, I am sure she will develop as a writer and produce something remarkable and enjoyable.