The powerful, unsettling, and beautifully crafted new novel from one of England’s greatest contemporary writers.
Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove.
The Sense of an Ending is the story of one man coming to terms with the mutable past. Laced with trademark precision, dexterity, and insight, it is the work of one of the world’s most distinguished writers.
A complete and unabridged reading by Richard Morant.
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Customer ReviewsMost Helpful
By Daniel on 29-03-12
A book to read again
I can't tell you exactly why, but I loved this book. It was definitely enhanced by the narrator who read it in a very natural way.
Don't let the short length of this fool you, it has all of the story and detail needed to tell it. Any more would have been unnecessary.
11 of 11 people found this review helpful
Customer ReviewsMost Helpful
By Mel on 09-01-12
"The tongue like a sharp knife, kills without drawing blood." Budha
In 150 pages, about 4.5 hrs listening, Barnes--nothing less than a word wielding genius--has written a poignant little novel that packs a big psychological punch, wherein every perfectly placed word evokes powerful images and thoughts. [Refers to Henry VIII as the "polygamist royal butcher".] (*No doubt there will be philosophical discussions longer than this book about this book.) But, my lovely journey with this petite gem didn't start out so lovingly...
Having read a few award winners in my time, I plugged in my earbuds and waited to be wowed while I indulged in the luxury afforded to us with audible books--multi-tasking. Two-thirds the way through this book I was about to toss it. Yes, the writing was masterful, the characters, though only briefly sketched out were still relevant and interesting, but the story itself seemed whiny and pretentious, overall depressing to the point of being a tiresome listen. But, In just a few words, I suddenly went from irritated to intrigued; ultimately I was awed and regretted an ending, so I listened again. I really listened. I sat down and this time was absorbed in the luxury of writing at its best. I've read the 6 books shortlisted for the Booker--my opinion is they got it right.
Like one character says in the book, this is "like an onion and reveals itself in layers"--the reader is dropped in to walk along and sense this experience, not be wowed by a complex plot, not to have the mysteries neatly explained. Sleek, eloquent, precise, and Richard Morant is an articulate narrator that heightens the experience. I went to the book store and bought a copy. It's with me still, on my book shelf and etched in my mind.
22 of 22 people found this review helpful
By Brendan on 23-11-11
Nostalgia with a sting in the tail
The middle-aged narrator is living in fairly comfortable retirement, divorced from his wife, and filling his time with virtuous but hardly strenuous pursuits when he receives an unexpected solicitor's letter informing him of a delayed bequest from the long-dead mother of a college friend. Difficulties ensue, and this brings him back in contact with an old girlfriend from the 1960s. The story unravels slowly with some fine and rather wicked social observations, leading to a surprise ending which I must confess I found initially rather difficult to understand. The narration is excellent and the writing is finely-honed and dryly intelligent as one has come to expect from Julian Barnes. He does this sort of thing less brashly than Martin Amis and slightly better than Ian McEwan.
12 of 12 people found this review helpful