When The Wapshot Chronicle was published in 1957, John Cheever was already recognized as a writer of superb short stories. But The Wapshot Chronicle, which won the 1958 National Book Award, established him as a major novelist.Based in part on Cheever's adolescence in New England, the novel follows the destinies of the impecunious and wildly eccentric Wapshots of St. Botolphs, a quintessential Massachusetts fishing village. Here are the stories of Captain Leander Wapshot, venerable sea dog and would-be suicide; of his licentious older son, Moses; and of Moses' adoring and errant younger brother, Coverly.
Tragic and funny, ribald and splendidly picaresque, The Wapshot Chronicle is a family narrative in the tradition of Trollope, Dickens, and Henry James.
As an added bonus, when you purchase our Audible Modern Vanguard production of John Cheever's book, you'll also receive an exclusive Jim Atlas interview. This interview – where James Atlas interviews Blake Bailey about the life and work of John Cheever – begins as soon as the audiobook ends.
"[John Cheever is] a master American storyteller." (Time)
"The best introduction to Cheever's work.... Richly inventive and vividly told." (The New York Times Book Review)
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- Welsh Mafia
Late-Fifties American beauty.
What a pleasure to be told a story in prose so beautifully clear, subtle and strong. Nothing forced or flashy. No literary gimmickry. And no narrative fat. Cheever's background as a short story writer shows in every line of this lovely, superbly-crafted novel. His aesthetic sensibility as a stylist is as sound as his eye is perceptive.
In this tale centring on a group of characters related to the Wapshot family, the author delivers a perfectly judged and imaginatively constructed evocation of place, character, and period. A terrific antidote to the nostalgic cinematic vision we are familiar with.
Perfectly paced, with deftness and masterly precision we are presented through multiple view-points, a complex variety of interior experiences of characters grounded in a community which, in lesser hands, might so easily have turned into a ponderous family saga, the arty subtext of which would be to present a profound portrait of a national character. For sure, this is certainly another serious shot at 'The Great American Novel', but (lucky us) it's also light and graceful, full of unexpected narrative entertainments which hook us effortlessly on a trip of emotional depth-charges. The delight and pathos have an authenticity. Nothing vaguely gimmicky or soapy about this family drama. Mr. Cheever doesn't do banal, or 'ordinary' apparently.
This is a striking, authentically original voice which suckers us into buying story as truth. And very entertaining to listen to. Easy.
The original pictures painted; the insights offered by them.
There's an emotional truth at the core of every character. The skill and subtlety of the Cheever's characterisation is a rare treat. Authentic artistry. I thought the examination of sexuality was particularly interesting and well handled. Very perceptive. I couldn't be more impressed.
The scope of Cheever's imagination is really impressive. His' struck struck me as a drinker's unflinching gaze looking upon an America of fascinating, telling details. The story is shot through with a gently melancholic poetry which I associate with that generation. It's a wonderfully visual depiction of late-50s America which constantly places us in a variety of narrative scenarios at once familiar and yet unexpected. Very fresh and cliche-free, it's re-informed my take on that time and the notion of American soul. This has much to do with Cheever's personal combination of sensitivity, humour, deep seriousness and grace. And love for his subject, of course.
Joe Barrett's performance was uniformly excellent across a very wide variety of character types -- all compelling literary creations. The performance reminded me how very much I prefer American audio books to be voiced by American readers and European by Europeans (or do I mean Brits?).
I did laugh out loud in places, smiled very frequently and had a lump in my throat at the end. More often though I was simply transported by the sombre, soulful beauty of much of the story. And refreshed by some ravishing turn in the lines.
Ignore the naysayers, This book is highly-rated by the literary types with good reason. It's first rate.
Only the second novel I've 'read' by John Cheever, I'm now a solid fan. Going to eat-up those short stories, I'm sure.