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I was a bit thrown by the intro chapter though! There's 35 mins of Neil introducing each story in turn as though each time he's about to begin reading it. Then there's a pause and another intro. After a while panic sets in - have Audible forgotten to include the stories? But fear not - the stories are there and are all superb.
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This collection of short stories turned out to be something of a mixed bag. Ranging in length from a couple of minutes to an hour and a half (I was listening rather than reading), some of the shorter ones are so fragmentary as to be rather pointless, while a couple of the longer ones feel too long for their content. However there are some excellent stories in here too and, as I'd been told by so many people, Gaiman is a wonderful narrator.
As a fairly new convert to Gaiman's work I was surprised to find that there are several stories in here that I had already come across elsewhere in other formats. This made me wonder how much new stuff there would be in the book for established fans, so it would probably be wise to check the contents list before purchasing.
There is a long introduction in which Gaiman explains the rationale for the collection. This may have been better if I'd been reading rather than listening, but on the audiobook it takes over an hour, most of which is made up of short introductions to each story explaining the inspiration for it. Some of these short introductions are as long as the stories themselves. I fear I clicked out of the introduction after 20 minutes – snippets of how a story came about because of something some bloke called Jimmy said down the pub one night failed to hold my attention. One of the drawbacks of audio is that it's not possible to scan read sections like this, as I would with a paper or e-book.
I found the first few stories quite disappointing to be honest. The title, cover and introduction had all led me to think that the stories would be dark and chilling, but a lot of them aren't. And while I think Gaiman does dark and chilling exceptionally well, I was less enamoured of his musing on the writing process by using a metaphor of making a chair, for example. I also found, and this is down to personal preference, that, of the stories I knew, I had on the whole preferred them in written format. Both Down to the Sunless Sea and The Truth is a Cave in the Black Mountains had worked brilliantly for me when I read them – the first as straight text and the second as a graphic novel – but didn't have quite the same effect when listening, mainly because, although Gaiman's narration was excellent, the voices didn't gel with the ones I'd heard in my head. However, where I hadn't read a story before, Click Clack The Rattle Bag, for instance, then the narration often worked superbly.
These three stories were still amongst my favourites in the collection though, and here are another few that I particularly enjoyed:
Adventure story – a son sits with his elderly mother having tea and discussing his father, now deceased. In the course of the conversation his mother reveals the story of an adventure his father once had long ago as a young man. The adventure becomes progressively more fantastical, and the appeal comes from the matter-of-fact way the mother tells it and the son's astonishment. Quite a short story this one, but cleverly done and enjoyable. I suspect the narration made this one work better than it would have on paper.
The Case of Death and Honey is a rather good spin on the Holmes stories, which provides an explanation for why the great man went off to keep bees at the end of his career. It's set in China with Holmes on the trail of the answer to the ultimate mystery, and while it is somewhat far-fetched it's well-written and interesting, and Gaiman's Holmes feels quite authentic. This is another one I had already come across elsewhere – in the Oxcrimes collection published last year.
Nothing O'Clock is a Doctor Who story and I found it thoroughly enjoyable. It fits perfectly into the Doctor Who style and Gaiman's narration of the many characters gives a unique voice to each. The story is imaginative and nicely chilling, but of course with the traditional happy ending we expect the Doctor to provide.
So quite a lot of good things in here overall, but also some that I found rather dull or a bit lightweight. A mixed bag – I'd say most readers will find some things to like in the collection but, like me, may also find there's quite a lot that leaves them a little underwhelmed. 3½ stars for me, so rounded up.
NB This audiobook was provided for review by the publisher, Audible UK.
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