The source of poetry's wellspring; the relationship between poetry and human progress; the possible truths (and lies) involved in the literary arts; the role of the author; these lectures tap into an enormous range of material to explore these and other provocative issues. You'll follow the strands of this "conversation" between philosophy and the literary arts down the millennia, profiting from in-depth analyses of works by Plato, Aristotle, Horace, Sir Philip Sidney, Dryden, Pope, Wordsworth, Shelley, Coleridge, Matthew Arnold, T.S. Eliot, Northrop Frye, Foucault, Derrida, and more.
Throughout these lectures, you'll meet the poet in many guises. These include: the divine poet (a supernatural creator who transcends the laws of nature), the alchemical poet (the inspired individual who fuses humanity's divided nature into one), the common poet (the poet who roots himself or herself in the real world and speaks for the common individual), the playful poet (who champions sensitivity of feeling, contradictory truths, and uncertainties), and the prisoner poet (who's a product of, and a slave to, his or her own subconscious suppositions).
By concentrating on critical reflections about poetry - the oldest of the literary arts - you'll come away with lessons on how to understand literature, and all of the arts, more generally. More importantly, you'll be prepared to join in these critical conversations yourself.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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Customer ReviewsMost Helpful
By sin sin minkin on 24-03-18
The Subheading doesn't match the Sense
Although entertaining, this merry jaunt through criticism neither focuses on literature as a way of reading criticism, nor does it say much about authorship. It does have its moments, but is probably too fast or introductory a lecture series to engage with either.
The lectures talk much more about Christianity than they do literature or authors.
One last thing: the final three lectures suffer from the wrong-headed 'deconstructive' mistake of using Deconstruction as a verb or a gesture. You will hear, as the lecturer talks, no actual gesture, analytical procedure in play, and this is the key to Deconstruction. It is always already differed, at play inside all texts and ideologies. We do not do anything to the texts. We do not 'deconstruct' anything. Sadly, this mistake will grow in the minds of students and become a verb, synonymous with 'take apart' or 'analyse.'
1 of 1 people found this review helpful
Customer ReviewsMost Helpful
By Jennifer on 01-01-15
Unless you were an English Literature major, you probably never considered poetry or fictional prose in this way. Perhaps you've heard of critical theory but weren't sure what it was. Maybe you've encountered it in the context of philosophy, political science, or linguistics, but these contexts are spin-offs of the original, which is poetical literature.
Does poetry matter to society? Can a poetical work be sublime and timeless, or is it always a mere transient expression of a social niche? To what extent do poems reflect the author's original thinking rather than the social influences on the author? Do critics of poetical literature add value for readers?
The professor knows these are unfamiliar questions to anyone who did not major in literature, and he is excited to convey them to.a lay audience. His voice is always clear, animated, and easy to listen to.
7 of 7 people found this review helpful
By Kindle Customer on 21-10-16
Learned a ton
I really learned significant amount listening to these lectures. Can't wait to listen through them again.
4 of 4 people found this review helpful