One evening, a handsome young stranger off the boat from England pitches up to a counting house on Golden Hill Street, with a compelling proposition - he has an order for 1,000 pounds in his pocket that he wishes to cash. But can he be trusted? New York is a place where a young man with a fast tongue can reinvent himself, fall in love, and find trouble....
"The best 18th century novel since the 18th century." (BBC Radio 4)
"A cunningly crafted narrative that, right up to its tour de force conclusion, is alive with tantalising twists and turns.... This is a dazzlingly written novel. Little brilliances of metaphor and phrasing gleam everywhere." ( The Sunday Times)
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Customer ReviewsMost Helpful
By EEL on 29-10-17
Good book, poor performance
While (as the book's ending will show -- no spoilers here) the decision to have the story read in a female American voice is logical, the actor chosen here is not an ideal choice, as she clearly has a much smaller personal vocabulary than the author. She constantly mis-stressed and mispronounced words (steepled, basso, Hades, concupiscence, mountebank), substituting more familiar ones in some places ('connection' for 'contention', 'slivers' for 'silvers', etc). Surely one of the jobs of those at Whole Book Audio should be to ensure that the performance represents the book accurately, otherwise one might as well get a free LibriVox recording. I have decided to write this review (something I rarely do) because I have noticed the same fault on too many of Whole Book Audio's other recordings, and they really need to improve this aspect of their business (the second narrator in David Mitchell's "The Bone Clocks" was a particularly egregious example).
"Golden Hill" is set in New York City of the early 18thC and includes a cast of characters with a variety of accents, some of which the reader executed more successfully than others, with her attempt at Scottish sounding very East European. "Golden Hill" also includes brilliant set-pieces of performance within the novel: a Sinterklaasavond feast, Bonfire Night ("Pope Night"), and the performance of a play. In the last of these, it is central to the plot that two of the characters are much better actors than the others, but the reader was unable to portray the differences between the terrible acting and the great acting, flattening them out to much of a muchness.
I've focused on the performance here because I found it detracted from my enjoyment of what, had I merely read it in my head, would have struck me as a well written, entertaining, and unusual story. Until a better recording is produced, I recommend buying the book and reading it yourself!
7 of 9 people found this review helpful
By Mark Runacres on 25-03-18
the result of.clearly deep research and nonetheless profoundly focussed on the characters. the author luxuriates in the minutiae of human reaction and inter-action. A masterpiece in its own way. and a revelation about 18th century New York.
1 of 1 people found this review helpful