An absolute treat for the heart and mind, these 24 lectures demonstrate how to master the art of storytelling, offering insight into the process of crafting and delivering a tale to enhancing the stories you tell everyday - to your children at bedtime, in your conversational anecdotes, and in your presentations at work. Teachers, lawyers, clergy, coaches, parents, and anyone who wants to understand the power of stories to capture hearts and minds will benefit from these lessons.
You'll discover practical methods for building dynamic tension and capturing - then maintaining - your audience's attention. You'll acquire tips and techniques for finding, selecting, and preparing stories, whether they're based on your own experiences, time-honored folk tales, or beloved family yarns. You'll also learn to choose expressive language, craft compelling characters, refine your narrator's point of view, shape your story's plot, structure, and emotional arc, use body language to connect with your audience, and more.
Part how-to workshop, part intellectual study of the history of narrative, these lectures feature exercises that literally get you moving to develop your stories and make them more enjoyable. Professor Harvey's interactive activities and "side coaching" sessions are designed to make you comfortable enough with your story to tell it naturally and make impromptu changes as needed. You'll even learn what to do if the unexpected occurs while telling a story to a roomful of kids or giving a presentation, and about the practical considerations of using props, PowerPoint, and microphones in various scenarios.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio.
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Storytelling, as taught by a poor story teller.
I really wanted to get in to this course, but I can't get over the poor storytelling skills of the tutor. Although she knows what it technically means to be a good storyteller, her application of those things she tries to teach and her cringe-worthy, nerve-jarring use of accents and dialects (most notable is her attempt at a Scottish accent, something she claims to have had coaching on. I don't know by who, but I don't believe they were Scottish) makes me completely lose trust in what she has to teach. One of the most annoying things about the whole audio book is when she exhales in a short blast through her nose at something she finds humorous - which generally isn't humorous at all, it's almost a confidence issue and does it through nerves (much like somebody might say 'urr' and 'umm' a lot when they are nervous). She does this a lot.
It very much feels like the subheading should have the "to Professionals" part taken out, as it does not feel like her performance style should be aimed at anyone older than early teens.
If she taught the essentials with a better storyteller performing the actual story parts, it would be a much better listen.
I certainly would, as they have some great courses in their catalogue.
Based on my experience with this book I very much doubt that I would.
There will probably be plenty of listeners who have learnt something from this book, unfortunately if I can bare to finish the last 1/5 of it I am not likely to be one of them.
- Gareth Butterworth
- D. J. Wilkinson