How I Filmed the War

  • by Geoffrey H Malins
  • Narrated by Felbrigg Napoleon Herriot
  • 6 hrs and 32 mins
  • Unabridged Audiobook

Publisher's Summary

FNH Audio presents a complete and unabridged audiobook covering the war-time activities of the British Empire's official military Cinematographer. Follow him as he sets out from Britain, crosses the channel and enters the domain of trench warfare, chemical weapons, explosive shells and constant danger.
Lieutenant Geoffrey Malins became famous for his films taken during actual attacks on the Somme. This book narrates how he took those films. Yet his other films were both ground breaking and astounding and he relates how he took those too.
The Lieutenant, took his camera up in the air and flew over the trenches, and down into the trenches themselves. To get his films, he had to crawl through the mud, facing the bullets and high explosive shells along with the men he was filming.
This book is full of simply astounding scenes of bravery. In one scene Malins sprints across a road under direct fire from machine guns. In another he stands up in a trench while being sniped in order to film the men going over-the-top. In yet another he finds himself blown out of a bunk and in amongst the dead. The narrative is also sprinkled with occasional melancholy, such as when Malins passes time with an artillery officer, but when he returns a few hours later, it is to find his new friend dead. This book gives you an insight into the blood, bravery and hell that was WWI from a different view point.

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Customer Reviews

Most Helpful

Interesting but limited

An awkward book to review. Malins certainly had a story to tell, though the there are structural problems with this one, only partly explained by it having been written in 1917 and thus subject to wartime censorship. We get sudden jumps in time with important linking material being omitted. It’s as if whole chapters had been omitted. One important jump occurs early on when we move from 1914 and Malins as a civvie to him as an officer elsewhere on the Western Front.

A quick check on the net will highlight other issues, such as Malins’ implying that he was the only one working with a camera (including contributing to the famous “Battle of the Somme” film). More on this latter film would have been useful, especially as extra faked scenes were filmed. To be fair, though, wartime censorship issues might explain this.

Malins’ style can be stilted at times, though he is not a natural writer. A decent introduction and conclusion would have been useful. Nonetheless, it offers an interesting first-hand view of the tragedy. Do not expect something with the style of a Robert Graves or the journalist Philip Gibbs, but Malin’s story is certainly worth prevserving.
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- Ian

Book Details

  • Release Date: 16-08-2011
  • Publisher: FNH Audio