When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: 21 layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of that spacesuit. It is a story of the triumph over the military-industrial complex by the International Latex Corporation, best known by its consumer brand of "Playtex" - a victory of elegant softness over engineered hardness, of adaptation over cybernetics.
Playtex's spacesuit went up against hard armor-like spacesuits designed by military contractors and favored by NASA's engineers. It was only when those attempts failed - when traditional engineering firms could not integrate the body into mission requirements - that Playtex, with its intimate expertise, got the job.
In Spacesuit, Nicholas de Monchaux tells the story of the 21-layer spacesuit in 21 chapters addressing 21 topics relevant to the suit, the body, and the technology of the 20th century. He touches, among other things, on 18th-century androids, Christian Dior's New Look, Atlas missiles, cybernetics and cyborgs, latex, JFK's carefully cultivated image, the CBS lunar broadcast soundstage, NASA's Mission Control, and the applications of Apollo-style engineering to city planning. The 21-layer spacesuit, de Monchaux argues, offers an object lesson. It tells us about redundancy and interdependence and about the distinctions between natural and man-made complexity; it teaches us to know the virtues of adaptation and to see the future as a set of possibilities rather than a scripted scenario.
©2011 Massachusetts Institute of Technology (P)2014 Audible Inc.
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Customer Reviews

Most Helpful
4 out of 5 stars
By Andrew on 14-12-15

Interesting book but a little diffuse.

There are a great deal of interesting facts in this book, however, the connection between some of them and the Apollo spacesuits are rather tenuous. That said, where the narrative relates more closely to its subject the author gives a new slant to the story of the design and development of the Apollo suits, why the soft shell Playtex produced suit was superior to the hard shell competition and so-on.

Those parts of the book were fascinating, unfortunately the other parts, whilst interesting, just didn't grab me so much. My other disappointment was the lack of detail on the actual makeup of the suits themselves. The fact they had 21 layers is right up there but what is never discussed is what most of those layers were and what their function was. I'd have liked even a quick run through as a minimum.

That said there were some stand out moments in the book not the least of which was one of the pitches Playtex made, no paper, no slides, just a short film of a man in one of their suits running around a football pitch alongside an unsuited man, throwing a ball, jumping, etc and generally doing things a man in a hard shell suit could never hope to manage.

Overall, a good book but could have been a great one. The narrator on the other hand was excellent!

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4 out of 5 stars
By Paul on 20-07-15

The history & production of a space suit

I need to point out a couple of points. This title has a contrivance at its heart - the chapters are set out in the same number as the layers in the titular suit and there are some pretty theoretical bits of social and design theory.

However, if you are interested in Apollo, the space race, science and technology or the complexities of complex technical garment design and production, this title will have something for all of you.

I found it generally fascinating and even the slightly heavy going bits couldn't put me off. It covers the technical landscape of the time - looking at contemporary design theories, the NASA environment,, the bureaucracy, the testing challenges and other manufacturers approaches, the inspiration of design, the persistence of Platex (who actually made the suit - which I wasn't aware of) and their completely different philosophy which made their suits so successful.

It is well narrated and I found it a mostly easy listen while traveling and walking to work. I leant a lot, and while it could have been written in a more popular science style, some of the depth and breadth would have to be left out. Stick with it and you'll learn a lot (at least I did).

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Customer Reviews

Most Helpful
5 out of 5 stars
By Susie on 02-06-14

Supple Triumphs Over Hard

We are all so inured to the image of the Apollo 11 astronauts in their puffy marshmallow-man space suits, that we forget what sensational achievements those suits were. This is the story of how the elegant, but ultimately impractical designs of military industry were defeated by Playtex, makers of women’s undergarments, the people who knew how to fashion fit.

Anyone looking for the irony in history here’s your audiobook. It’s filled with moments of deep moral inquiry juxtaposed with the absurd.

These twenty-one essays, fascinating and funny, describe the suit and its evolution from fashion, manufacture, the absurd things expected of earth-evolved human bodies in outer space, the space race, and more.

Bronson Pinchot catches all the dry humor in the book and gives a truly entertaining reading of the many passages like the following,

“Once agreed upon, the only problem came with sizing the most intimate part of the suit assembly, the urinary collection device (UCD) that slid over the astronaut’s penis. After an “incident” with the first astronaut fitted for the device, the UCD’s designations were changed from ‘Small, Medium, Large’ to ‘Large, Extra Large,’ and ‘Extra-Extra Large.’”

Well, now we know.

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9 of 11 people found this review helpful

4 out of 5 stars
By Jacob Ford on 17-05-18

Has a lot, missing a few things

Like a more academically dense and daylong 99% Invisible episode, the thoughts and conclusions and births of traditions that have become just another part of life today, from a time where the birth of new traditions was just another part of life.

What’s missing: a PDF companion with all the images and figures. You get embarrassingly lost hearing text read to you that was clearly designed to be set next to the image being discussed.

What’s strange: each layer (chapter) can’t quite decide if it’s self-contained or linear with its neighbors. They reference each other in both directions and contain redundant information, but are labeled in sequence and at least seem to be trying to build up some overall story. The lesson: just don’t be confused when a chapter briefly recaps something to you which you thought you’d heard a whole chapter on an hour ago. That’s exactly what’s happening, and you didn’t miss or misunderstand anything.

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1 of 1 people found this review helpful

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