Keller is a pro and very good at what he does. But the jobs have started to go wrong. The realization is slow coming, yet when it arrives, it is irrefutable: Someone out there is trying to hit the hit man. Keller, God help him, has found his way onto somebody else's hit list.
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Customer ReviewsMost Helpful
By A. Tanneberger on 23-11-16
Gallows humour at its best
What did you love best about Hit List?
The dry humour and the dry wit.
Did the plot keep you on the edge of your seat? How?
The overall plot is less important than the mini-plots as Keller's ingenious plans unfold, while negotiating this dangerous profession.
What about George Guidall’s performance did you like?
He perfectly captured Keller's dead-pan dry humour.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
Just sheer enjoyment, transports you out of your daily humdrum life and keeps you on the edge of your seat rooting for Keller, while also caring about some of the victims (but not too much).
Any additional comments?
Keller's sense of place: I love New York and stories set in New York. I discovered Keller years ago. Being able to enjoy Keller in another medium was such a treat (not always a given). In this case it was a Bull's Eye.
1 of 1 people found this review helpful
By peter on 03-04-18
A BIT TEDIOUS AND BARELY WORTH THE CREDIT
Another reviewer commented that this novel was like watching paint dry. That comment came to mind several times as i persevered through to the end and reached it with a sigh of relief. I like Block usually but this was badly in need of an editor or someone to say 'Enough with the cross-talk between Keller and Dot - it is really starting to grate!'. Listen at your peril.