Summary

John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction. Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.
©1968 John Barth (P)2011 Audible, Inc.
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Customer Reviews

Most Helpful
5 out of 5 stars
By Thea on 22-08-15

Great short stories, well read

Great, funny and rewarding metafictional short stories, great examples of the relevance and pleasure of such metafictional techniques. Narrator well-suited to the stories.

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Customer Reviews

Most Helpful
3 out of 5 stars
By A. Attella on 05-02-15

Need a quiet space and no distractions.

These stories are so much about language and structure, that I really feel like I missed a lot. This is a book which demands a pair of headphones and an easy chair, or to be experienced on the page.

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2 of 2 people found this review helpful

4 out of 5 stars
By Ham on 11-03-13

A Postmodern Classic

If you could sum up Lost in the Funhouse in three words, what would they be?

Exploratory Avant-garde fiction

What did you like best about this story?

It is an exploration of new directions that fiction has taken since 1960 by a master of the short story form. Starting with a "first-person" story about a spermatozoan's travel during the course of conception, wending its way through stories which are set in the past yet include present and future, simultaneous alternate narratives that are linked yet disparate, stories that include formal commentaries on themselves, this genre-busting, form-twisting collection/novel answered a criticism of the time that fiction was nearly exhausted, and paved a road that modern writing would take up to the present day. Other than that, it was pretty good.

Which scene was your favorite?

The stories that made formal comments about themselves, such as first declaiming an action or dialogue, then pointing out how such passages 'should' act in a work of fiction, or where they belonged in a plot structure.

Was this a book you wanted to listen to all in one sitting?

No - it ws too intense, and required a significant amount of thinking before and during each story.

Any additional comments?

I later found a good (and free) commentary on the work by Yale's Amy Hungerford in her course "The American Novel Since 1945," down-loadable as an mp3 or transcript from Open Yale Courses. Barth was one of her professors at Johns Hopkins. Like Joyce's 'Finnegan's Wake,' someone needed to write this, but no one should attempt it again.

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2 of 2 people found this review helpful

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