Cara Devon has always suffered curiosity and impetuousness, but tangling with a serial killer might cure that. Permanently.
London, 1861: Impoverished noble Cara has a simple mission after the strange death of her father - sell off his damned collection of priceless artifacts. Her plan goes awry when aristocratic beauties start dying of broken hearts, an eight-inch-long brass key hammered through their chests. A killer hunts amongst the nobility, searching for a regal beauty and an ancient Egyptian relic rumored to hold the key to immortality.
Her Majesty's Enforcers are in pursuit of the murderer and they see a connection between the gruesome deaths and Cara. So does she - somewhere in London her father hid Nefertiti's Heart, a fist-sized diamond with strange mechanical workings. Adding further complication to her life, notorious crime lord Viscount Nathaniel Lyons is relentless in his desire to lay his hands on Cara and the priceless artifact. If only she could figure out his motive.
Self-preservation fuels Cara's search for the gem. In a society where everyone wears a mask to hide their true intent, she needs to figure out who to trust, before she makes a fatal mistake.
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Customer ReviewsMost Helpful
By Elisabeth on 17-01-16
steampunk is an afterthought
Where does Nefertiti's Heart rank among all the audiobooks you’ve listened to so far?
I've been listening to audiobooks fo 30 years so that is a little hard to say, but I will say it kept my interest.
Who was your favorite character and why?
Cara, she's a spunky nonconformist, with a traumatic past to overcome. The last book I listened to had a female character who didn't do anything without her husband's permission, (ugh!, I returned it). So it was nice to encounter a pistol packing heroine who had her own mind.
Have you listened to any of Gemma Dawson’s other performances before? How does this one compare?
Possibly, if so I don't remember it.
If you were to make a film of this book, what would the tag line be?
An Egyptian artifact, a serial killer who wants it, and an unconventional romance, all set in an alternate Victorian England.
Any additional comments?
First off, the steampunk is only window dressing. The modern vernacular could be off putting at times, but I was able to ignore it for the most part. The serial killer denoument is predictable. The characters should have had more development. All that said, I thought it was a fun, quick listen. Not great, but I will continue the series. Story 3.5.
6 of 6 people found this review helpful
By Mike on 19-08-14
Feminist Success, Steampunk Fail
Any additional comments?
The artifact plotline is a distant second to the personal plotline, and that's for the best. This book is about a rape survivor falling in love and learning to be safe in her body. On that count, this book is AWESOME. The sex scenes are explicit and plentiful in a way that I felt detracted from the story, but it may be a bonus for other readers. However. The fact that Exley decided to make this a steampunk novel set in Victorian England was a poor choice. All steampunk fiction requires a strong stomach for anachronism, but I spent so much time cringing at the ultra modern and non-British references that I nearly had to stop listening. It was really jarring, and made it hard to get into the story. The artifact plotline could have been excellent, if Exley spent more time developing it. It serves its purpose as a catalyst for the love story, but is otherwise superfluous. I think this novel would be spectacular under the firm hand of an editor. The artifact plotline needs to be developed, and every single page needs a Victorian makeover. As thrilled as I was to see a rape survivor's story told with so much compassion and care, the sloppy disregard for period and genre, and lack of development of the action plot were really irritating and made this a hard listen. I won't be reading anything else from Exley.
14 of 16 people found this review helpful