Summary

It's a simple story. Boy finds proof that reality is a computer program. Boy uses program to manipulate time and space. Boy gets in trouble. Boy flees back in time to Medieval England to live as a wizard while he tries to think of a way to fix things. Boy gets in more trouble.
Oh, and boy meets girl at some point.
Off to Be the Wizard is a light, comedic novel about computers, time travel, and human stupidity, written by Scott Meyer, the creator of the internationally known comic strip Basic Instructions.
Magic will be made! Legends will be created! Stew will be eaten!
©2013 Scott Meyer (P)2013 Brilliance Audio, all rights reserved.
Show More Show Less

Regular price: £16.09

Membership details Membership details
  • A 30-day trial plus your first audiobook, free
  • 1 credit/month after trial – choose any book, any price
  • Easy exchanges – swap any book you don’t love
  • Keep your audiobooks, even if you cancel
  • Free, unlimited access to Audio Shows
  • After your trial, Audible is just £7.99/month
Select or Add a new payment method

Buy Now with 1 Credit

By completing your purchase, you agree to Audible's Conditions of Use and authorise Audible to charge your designated card or any other card on file. Please see our Privacy Notice, Cookies Notice and Interest-based Ads Notice.

Buy Now for £16.09

Pay using card ending in
By completing your purchase, you agree to Audible's Conditions of Use and authorise Audible to charge your designated card or any other card on file. Please see our Privacy Notice, Cookies Notice and Interest-based Ads Notice.

By completing your purchase, you agree to Audible's Conditions of Use and authorise Audible to charge your designated card or any other card on file. Please see our Privacy Notice, Cookies Notice and Interest-based Ads Notice.

Customer Reviews

Most Helpful
4 out of 5 stars
By Matthew on 07-10-15

Matrix meets mediaeval fabtasy

Put it this way, the story is like a mash up of the matrix, ready player one and mediaeval english fantasy. like those? then this is for you. Some parts are really original, but weren't embraced to their full potential. The basis for the story allowed for many possibilities and scenarios, but the resulting plot just seemed extremely unlikely and almost forced to set up the theme mashup. If you put logic aside and just forgive it's shortcomings in setting up the scenario, its a unique story that worth a listen. Can't fault the performance though, great job acting out each character.

Read more Hide me

18 of 19 people found this review helpful

5 out of 5 stars
By Ian on 16-09-15

Enjoyably ludicrious

I have been contemplating this book for some time. I was dubious about it but finally decided to take a punt and I was very pleased I did. Reminiscant of the Myth Adventures series by Robert Asprin and with hints of the Thursday Next series by Jasper Fforde I found this fun and enjoyable. As they say in the book it 'avoids the obvious joke' and the humour grew on me. Although the story in very fantastical, it is still well thought through. The characters are likeable and believable (for a fantasy novel) and I am looking forward to the next books in the series.

Read more Hide me

7 of 7 people found this review helpful

See all reviews

Customer Reviews

Most Helpful
5 out of 5 stars
By Kelly Pivik on 04-03-17

Hang in there

When I started this book, I felt some trepidation. I'd heard it was good, but not as good as Ready Player One. But, I wanted to give it a shot. The first part of the book was infuriating - I just kept wanting to yell "How is this NOT a bad idea? Stop being so stupid!". I almost gave up.

Then Martin meets Phillip. Suddenly I could not get through the book fast enough. I warn you to be careful if you listen while you drive - there were points when I laughed so hard I almost had to pull over. Luckily, I was in my neighborhood and could go 5 mph. I loved Ready Player One, but this was better in terms of entertainment. I will re-listen to this soon.

Luke Daniels kills this - I love what he does with Phillip. Phillip is definitely my favorite. He needs his own series!

Read more Hide me

92 of 94 people found this review helpful

2 out of 5 stars
By Joe Kraus on 26-09-16

Fun, but Limited

Any additional comments?

This is not a well-written book. For the first quarter of it, that’s part of its charm. Meyer is so clever, so warmly funny, that he powers through not quite knowing “the rules” of writing a novel. Our hero, Martin, discovers an obscure data-set on the internet, one that includes his name along with millions of others. He changes his height, out of vanity, from 5’10” to 6’1” and realizes he’s changed his actual height. He realizes, that is, that he’s found the database of existence, and that he can alter his personal statistics as he pleases: his wealth, his location, his place in time.

Meyer gets through all of that background quickly and without pretension. Martin realizes his powers, gets into trouble, and flees to what he thinks is the security of medieval England, in only 50 pages or so. Meyer is so inventive and brings so much joy to his task, that it’s hard not to get caught up in the fun.

The second and third quarters slow down considerably, though, and the final quarter more or less hits a wall. A couple chapters of Martin training with another “wizard” might be nice, but more than half the book on that is overkill. And, as all that unwinds, there’s no real plot left. The final part means exaggerating a minor conflict into the central one, and there’s really little at stake.

Still, reading this hasn’t been a disappointment. I’ve enjoyed it, in substantial part, because its what-the-hell approach makes me appreciate the art of several other books all the more.

1) Claire Norths’s The First Fifteen Lives of Harry August is really a gem, one of my favorite surprises of last year. It too tells the story of characters who play with time lines, but it takes its potential contradictions more seriously and answers them with deeper wisdom and care. When I find myself wondering here, for instance, why no changes in the past affect the future, I admire North’s subtler answer to that, where individual choices in the past can slightly alter the future – changing an individual’s wealth maybe – but not dramatically: no forestalling Hitler’s rise. North’s is a joy of a book, one that rises well above this one, and it’s rewarding to be reminded of it.

2) Mark Twain’s A Connecticut Yankee in King Arthur’s Court is actually about something. Where Meyer’s book sets out to entertain, or maybe to make a kind of revenge-of-the-nerds claim, Twain uses almost the exact same setting to make an argument about the nature of modernity. As far back as 1889 Twain saw some of the dehumanizing aspects of technology. His hero shows up some of the foolishness of chivalry, but, in the end, he shows all the more clearly the Holocaust potential of the industrial world. It’s an argument about human nature, one that’s far more deeply funny than this book, and one that’s simultaneously disturbingly predictive.

3) Any number of genre novels I’ve read recently do what they set out to do. The hero saves people, the heroine falls in love with him. Meyer tries to subvert the formula, his love story never gets off the ground and his Gandalf/Dumbledore figure is decidedly silly, and he gets some legit laughs out of it. Still, he’s clearly playing against expectation. When Charlie Huston or Jason Starr tells a good story, one where character types walk in the door in the opening pages, it’s all the more impressive to realize they’ve held my interest while obeying the demands of genre.

I have no plans to read any more Meyer, and I can’t recommend this one in good conscience, but I feel oddly good about having read it. This writing business is tough. It’s hard to get it right, and Meyer, in getting a lot wrong, reminds me of the joy and optimism I feel any time I sit down in front of a brand new blank page.

Read more Hide me

7 of 7 people found this review helpful

See all reviews