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Oh dear. Whoever wrote the official blurb above has clearly not even bothered to read the book. Here's something slightly more accurate courtesy of me and Amazon.com:
"Here is the novel that started it all, launching the Cyberpunk generation, and the first novel to win the holy trinity of science fiction: the Hugo Award, the Nebula Award and the Philip K. Dick Award. With Neuromancer, William Gibson introduced the world to cyberspace - and science fiction has never been the same."
Case was a cowboy cruising the information superhighway; one of the best - jacking his consciousness into the Matrix, soaring through tactile latices of data and logic, rustling encoded secrets for anyone with the money to buy his skills. But then he made the classic mistake and stole from his employers - who caught him and burned the talent out of his brain, micron by micron. Banished from cyberspace, trapped in the meat of his physical body, Case courts death in the high-tech Chiba underworld...until a new employer, and his scary little razorgirl, scoops him up and offers him the cure he thought didn't exist - in return for one last run.
All of the above is for the book, of course. And I would add that, although most reviews concentrate on its massive impact on the SF genre and indeed wider culture, personally I just love the way Gibson uses words. He's a real artist (which sometimes disappoints those looking for something more prosaic) and what he does with language - and his eerie grasp of the human condition - at times approaches the sublime.
As for the audiobook: the narrator could be better. I can just about handle the massively macho American timbre (amusing rather than grating; unlike Gibson's other Audible narrators) but the careless mistakes, clunky artistic choices (the Finn's accent; oh dear) and lack of talent depicting female characters are harder to forgive. But forgive them, I do, because the quality of the writing shines through making such minor quibbles irrelevant.
103 of 110 people found this review helpful
Very well read and the characterisation worked well, some accents took a little getting used to - the Molly in my head didn't sound quite so weedy, but it worked and I enjoyed the listen immensely
7 of 8 people found this review helpful
Any additional comments?
It has all the elements of a top rate science fiction and a post-industrial dystopian novel. First published in 1984, it was ahead of its time. It coined the term "cyberspace" which Gibson, long before the internet and other virtual technologies were integrated into everyday life, described as "a three-dimensional representation of computer data through which users communicate and do business, alongside a whole host of more dubious activities." In fact, this book said to have inspired a generation of technophiles.
2 of 2 people found this review helpful
Enough has been said about the book over the last 30 years that I don't need to add anything more. As for the performance, it's pretty good, the narrator slips in his accents every once in a while, which can be a little distracting. The female voices are also kind of comical. Overall a pleasurable listening experience.
1 of 1 people found this review helpful