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This is the first Alastair Reynolds book I have read and it grew on me. The first third is a little confusing; the main cause of which I think is the narrator's style. I have greatly enjoyed John Lee's narration in other books but on this occasion I felt it left quite a lot to be desired. It sounded like he had spend a lot of time perfecting some sort of Eastern European accent and then, when he had got it just right, he applied it to all the characters! Therefore, at times, I had no idea who was speaking. Once you get a feel for the plot and who everyone is, the 'audio-homogeneity' is not really a big issue, but it did take me a while longer than usual to settle into this book.
On the whole I found it enjoyable, with a good story and some great sci-fi moments, although it did not inspire me to read any sequels for a while, especially as I have read numerous reviews of the opinion that this book is the best of the bunch.
16 of 17 people found this review helpful
I could not get into this book, the narrator - normally brilliant - was my biggest issue. I could not follow the separation in plot lines. The narration jumped from one to the other without any pause, introduction or announcement, maybe a small thing, but it was enough for me
23 of 25 people found this review helpful
Revelation Space has three main characters one of Russian decent, one of French and one Indian, with many Japanese characters figuring prominently, and the narrator portrays each one with the appropriate accent. The perspective of the novel shifts between these characters liberally within each chapter. Further, future tech flies fast and furious with explanations dispersed (sometimes) over several chapters. Taken together these factors make for a challenging read, but the fast-paced intricate and mind-bending ride is incredibly rewarding. The Revelation Space universe is proof that Reynolds' space operas are equal to the likes of M. John Harrison's or Iain M. Banks'.
20 of 20 people found this review helpful
This book defeated me, I am ashamed to say. I do most of my audio listening whilst driving, but this requires you too pay too much attention, and thus, while driving you lose important plot points, for two reasons:
1) There is a lot of tech within the book, and diluted time due to near-light speed travel on ships, and there is a lot of scene-shifting within chapters, which leads me to...
2) Other reviewers have alluded to it already, but it was a bad move not to have some sort of pause or audio-cue when scene-shifting between chapters. What happens is that John Lee (whose other stuff is ok, in my opinion), moves between scenes without taking a breath and you completely lose where you are whilst driving.
Shame I have to give it up, it's supposed to be a classic series. But them's the breaks.
137 of 143 people found this review helpful