Summary

Epic, entertaining, blasphemous, this is the most influential and controversial of Science Fiction novels.
Stranger in a Strange Land caused uproar when it was first published as it savaged conventional religious, sexual, and social ideals. Many years in the future, Valentine Michael Smith's upbringing is exceptional. Orphan child to two astronauts killed in space, he is raised on Mars. Twenty-five years later he is "rescued" and brought back to Earth. The initial enthusiasm of the administration in Smith's safe return is soon dampened by the realisation that they cannot control him. Possessed with superhuman skills and a unique philosophy he threatens their society - Smith must be contained.
Then a nurse helps him escape his hospital jail. Their flight becomes a journey of discovery, enlightenment and wonder. But danger is following fast behind, and there will be no escape from the final confrontation.
©1961 Robert A. Heinlein (P)2012 Hodder & Stoughton
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Customer Reviews

Most Helpful
5 out of 5 stars
By Mr. S. P. Campbell on 20-04-17

Stranger in a strange land

This. Is a classic Heinlein , thought provoking with echoes of modern times. His characterisation of the press is amusingly accurate, even if he could not have guessed the technology at this distance in time. I first read the book some 30+ years ago and the authors cynical views on government ring true especially since Trumps election. He also takes a run at religion and the zealots. With a strong plot it is a thoroughly good story that I heartily recommend.

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5 of 5 people found this review helpful

3 out of 5 stars
By Simon on 31-08-15

A point in time

This is one of those seminal classics which deserves every respect. I understand it was included in a Library of Congress exhibition of "Books That Shaped America" so it's not to be taken lightly by any measure.

It will still divide opinions today in terms of its value and much will depend on your stance on political correctness. Me, I loved the early expressions of some of the free-thinking and libertarian views and the joyous disrespect for a lot of society's norms. I may not agreed with it all but it was good to be free of some of today's shackles on such opinions.

However, after a while it seemed to me that the author was taking it too far to be a genuinely credible attempt at social commentary. Jubal Harshaw, the main instrument for expressing these opinions went from being something of an inspirational character to something of a bore over the course of the piece.

In fact, someone like myself would probably actually benefit from something I normally avoid like the plague . . . an abridged version! (Just don't tell anyone I said that!) This is because the concept and characters are strong and I warmed to them but in an effort to be an epic it just went on too long for me and there was too much of the narrative that didn't move the story forwards in any real way or add much new to the social commentary.

It's probably one of those books you have to read and I always think that a book that divides opinion like this probably has something going for it. Especially as it continues to do so more half a century since its publication.

So, I have genuine admiration for Heinlein and his creation, it was just too long-winded in parts and a bit over the top so overall these things detracted from my enjoyment of it. I'm glad I read it but I won't be hurrying back to go through it again!

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11 of 12 people found this review helpful

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Customer Reviews

Most Helpful
4 out of 5 stars
By Paul McMahon on 12-06-14

Still relevant

Worryingly many of the threads of the book are still relevant today; of course, not all. It is remarkable how many things writers of that time, it was published in 1961, got predictions right - video phoning, mobile phones in cars, etc. But some of his notions are really out of date; his writing of women characters is very much the thinking of the 50s; although I can see him struggle with modern concepts of their place in changing times.

The reader does a good job with a long book. Sometimes the voices lose distinction and it is momentarily hard to work out who is speaking, but that is a minor issue. More difficult is the he uses whispering to indicate some of the "speech" which makes the dialogue un-hearable; good intentions, but doesn't work with an audiobook.

Some parts can drag on ... mainly because their novelty at the time doesn't translate to our modern times, but it's worth persevering. The original draft was 220,000 words, published in 1991, but the editors got him to cut it down to 160,067 words, 1961. I'm not sure which version this is. Received the Hugo Award for Best Novel (Wikipedia).

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