The complete "box set" of T. H. White's epic fantasy novel of the Arthurian legend. The novel is made up of five parts: "The Sword in the Stone", "The Witch in the Wood", "The Ill-Made Knight", "The Candle in the Wind", and "The Book of Merlyn".
Merlyn instructs the Wart (Arthur) and his brother, Sir Kay, in the ways of the world. One of them will need it: the king has died, leaving no heir, and a rightful one must be found by pulling a sword from an anvil resting on a stone. In the second and third parts of the novel, Arthur has become king and the kingdom is threatened from the north. In the final two books, the ageing king faces his greatest challenge, when his own son threatens to overthrow him. In "The Book of Merlyn", Arthur's tutor Merlyn reappears and teaches him that, even in the face of apparent ruin, there is hope.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio.
©1939, 1940, 1958 T. H. White (P)2008 Naxos Audiobooks
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Critic reviews

AudioFile Earphones Award, 2009
"For those who have never read these five books, prepare to be surprised by their adultness, their laugh-out-loud humor and tongue-in-cheek commentary on modern life; for those who know them well, prepare to be delighted with Neville Jason's transcendent reading. The lovely timbre of his narrative voice, his rhythmic, easy pacing and host of individual characterizations transport listeners into White's weird and wonderful otherworld as quickly as Alice slipped through the looking glass. This long production is so entrancing that one wishes it would never end." (AudioFile
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Customer Reviews

Most Helpful
5 out of 5 stars
By W. Reid on 05-07-11


Though I liked all the books, the first was my favourite. Captivated from the first words and the narration is excellent; as good as Stephen Fry in the Potter books. Neville Jason manages all the parts beautifully and with enthusiasm. Well worth the money.

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22 of 22 people found this review helpful

5 out of 5 stars
By J on 26-07-12

An old favourite made even more enjoyable

One of my favourite books from childhood. When you listen again as an adult you appreciate fully the
wit and wisdom of the author. Neville Jason's narration is delightful, capturing the many characters perfectly.

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5 of 5 people found this review helpful

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Customer Reviews

Most Helpful
5 out of 5 stars
By Robert on 13-12-12

My favorite book this year.

When I read reviewers write, “the best book I have ever read,” I thought yeah right! ‘must not have read many books. Well, I have read a fair bit myself and this is definitely one of the best written books I have ever read. I believe it is a book that one can read and reread and enjoy over and over and find something new in each reading of it. Not to be redundant, it is also one of the most fun and funniest I have ever read. It is a scholarly and even literary work, if you will. And yet, at the same time, the book is totally enchanting, witty and charming.

The legend of King Arthur and the Knights of the Round Table arose in the early Middle Ages, when England was just beginning to come under the influence of Christianity. When anyone retells the story, the author brings his own perspective to the tale of chivalry. Here T.H. White often appears to use the education of the young king Wart by Merlyn to educate the reader. While not in so many words, or maybe it is that: Merlin is a time-traveler. Not so much in the context of some science fiction novel but in his memory. Merlin is aware of past, present and the future. Certainly the author is aware of those times and uses those temporal events to tell his story. The book is in many ways a critique of mid-twentieth-century British culture. At first, things seem somewhat anachronistic but then we see that the narrator regularly references events and people in modern times to help tell his tale even more effectively.

Both T.H. White’s The Once and Future King and J.R.R. Tolkien’s The Lord of the Rings were written in the shadow of World War II, and both reflect that context to some extent:

“No. There is one fairly good reason for fighting - and that is, if the other man starts it. You see, wars are a wickedness, perhaps the greatest wickedness of a wicked species. They are so wicked that they must not be allowed. When you can be perfectly certain that the other man started them, then is the time when you might have a sort of duty to stop him.” (Merlyn)

Not only is T.H. White’s The Once and Future King full of anachronistic references to places and events of modern times, but it also plays fast and loose with time within the framework of the novel itself. Given the references to the death of Uther Pendragon in 1216 and the appearance of Thomas Malory at the end of the story, Arthur would have lived from 1201-1485. In effect, what White does is telescope almost three hundred years of English history and social development into the backdrop of a single narrative.

The book is long. But multiple versions of the story of King Arthur are considered within its covers so how short can it be? No, this is the best of several interpretations of the legend and it is not too long. While much of the book’s ending dwells on allegory, philosophy and social commentary, it is done with and eloquence and prose that is hard to compare with.

One of the young reviewers of this book that I found tried to figure out the audience for for whom the author intended and concluded there were many. I agree:

For children and young adults-
“I have been thinking ... about Might and Right. I don’t think things ought to be done because you are able to do them. I think they should be done because you ought to do them.” (Arthur). One of the central themes of the book is War: Right and Might.

On one level, both Mark Twain’s A Connecticut Yankee in King Arthur’s Court and T.H.
White’s The Once and Future King are children’s stories, yet both novels contain very
serious social commentary clearly intended for adults. Who could argue though that the social satire found in these novels detracts too much from the ability of children to enjoy them. Could a child appreciate all that is contained within TOaFK? Certainly not. However, there are many stories in this legend and many that target the child in all of us. One need not read this entire book though I am sure a lust will always remain to do so.

No reviewer could possibly do justice to this book. How about some more of the author’s own words:

On Wisdom-
“The best thing for being sad ... is to learn something. That is the only thing that never
fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then - to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting.” (Merlyn)

This is a story about great compassion-
“If I were made a knight ..., I should insist on doing my vigil by myself, a Hob does with
his hawks, and I should pray to God to let me encounter all the evil in the world in my own person, so that if I conquered there would be none left, and, if I were defeated, I would be the one to suffer for it.” (Wart)

The author writes a great deal about the evolution of man-
“Here, all you embryos, come here with your beaks and whatnots to look upon Our first
Man. He is the only one who has guessed Our riddle, out of all of you, and We have great pleasure in conferring upon him the Order of Dominion over the Fowls of the Air, and the Beasts of the Earth, and the Fishes of the Sea. Now let the rest of you get along, and love and multiply, for it is time to knock off for the weekend. As for you, Man, you will be a naked tool all your life, though a user of tools. You will look like an embryo till they bury you, but all the others will be embryos before your might. Eternally undeveloped, you will always remain potential in Our image, able to see some of Our sorrows and to feel some of Our joys. We are partly sorry for you, Man, but partly hopeful.” (Badger)

Much is written about human morality-
“Morals ... are a form of insanity. Give me a moral man who insists on doing the right
things all the time, and I will show you a tangle which an angel couldn’t get out of.” (Lionel)

This title actually includes Books 1-5 of T.H. White’s magnum opus. It is not so much about world-building per se though there is enough of that. The book is more about us as humans and our nature... our intellectual, psychological, social and even political nature. The book is philosophical, satirical with even a little theology thrown in. Not too much; just the right amount. If it is action that ye seek, knockdown, drag out fighting, best look elsewhere. This is one more about relationships and different kinds of heroes.

This is brilliant storytelling brilliantly read and performed. The narration by Neville Jason is as good as it gets. I could not recommend a book more highly.

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163 of 173 people found this review helpful

5 out of 5 stars
By Jefferson on 17-12-11

A Modern Classic Epic Flawed by One Book Too Many

I eagerly purchased this audiobook of T. H. White???s complete The Once and Future King, because for a long time Audible only had the individual books available. And I loved the first four books, which begin with the halcyon fantasy of The Sword in the Stone, in which the boy Arthur (???Wart???) is educated by an anachronistic Merlyn. The scenes describing the daily life of a medieval castle during different seasons are vivid and beautiful, while those recounting Wart???s fantastic adventures and transformations into various animals are imaginative, suspenseful, and humorous. White loved and respected flora and fauna (even snakes), and this first book is encyclopedic and fantastic, dense and rich, absorbing and moving.

From the second book, The Queen of Air and Darkness, which opens in the cold north as Queen Morgause boils a black cat alive while her four sons are telling the story of their grandmother???s rape by Arthur???s father, begins the increasingly dark movement of the novel, centered on the tragedy caused by Arthur???s family history and the romantic triangle between himself, Guenevere, and Lancelot (The Ill-Made Knight). In the 2nd through 4th books White most closely follows Malory, though he also moves the era forward from the 11th to the 15th century and empathically imagines how medieval men and women felt and thought with modern psychological insight. At the same time, he writes plenty of joie de vivre, questing and combating knights, and fascinating details about medieval life (food, fashion, feudalism, etc.).

The novel really concludes with the 4th book (The Candle in the Wind) as the last battle between Arthur and Mordred is about to begin, but this audiobook then adds The Book of Merlyn, which may be good for completists, but which I found disappointing, as on the eve of the last battle Merlyn takes his former pupil off for a night of anachronistic political and philosophical debate with Badger and company about why humans wage war and what might be done to prevent it. Apart from Arthur changing into an ant and a goose to experience two different social systems, there is little ???story??? in this last book: too little Arthurian Matter and too much Whiteian Musing.

Jason Neville does a marvelous job reading the long work, effortlessly giving different characters distinctive voices and personalities without over doing it (so that, for example, his female characters sound like human beings rather than like a man imitating ???women???). And his King Pellinore reminds me of John Gielgud.

I recommend this audiobook for anyone interested in the Matter of Britain or philosophical and well-written fantasy.

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157 of 167 people found this review helpful

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