• Up Against It

  • By: M. J. Locke
  • Narrated by: Cassandra Campbell
  • Length: 16 hrs and 44 mins
  • Unabridged Audiobook
  • Release date: 02-09-11
  • Language: English
  • Publisher: Audible Studios
  • 3.5 out of 5 stars 3.7 (7 ratings)


Geoff and his friends live in Phocaea, a distant asteroid colony on the Solar System's frontier. They're your basic high-spirited young adults, enjoying such pastimes as hacking matter compilers to produce dancing skeletons that prance through the low-gee communal areas, using their rocket-bikes to salvage methane ice shrapnel that flies away when the colony brings in a big (and vital) rock of the stuff, and figuring out how to avoid the ubiquitous surveillance motes that are the million eyes of 'Stroiders, a reality-TV show whose Earthside producers have paid handsomely for the privilege of spying on every detail of the Phocaeans' lives.
Life isn't as good as it seems, though. A mysterious act of sabotage kills Geoff's brother, Carl, and puts the entire colony at risk. And in short order, we discover that the whole thing may have been cooked up by the Martian mafia, as a means of executing a coup and turning Phocaea into a client-state. As if that wasn't bad enough, there's a rogue AI that was spawned during the industrial emergency and slipped through the distracted safeguards, and a giant X-factor in the form of the Viridians, a transhumanist cult that lives in Phocaea's bowels.
In addition to Geoff, our story revolves around Jane, the colony's resource manager - a bureaucrat engineer in charge of keeping the plumbing running on an artificial island of humanity poised on the knife-edge of hard vacuum and unforgiving space. She's more than a century old, and good at her job, but she is torn between the technical demands of the colony and the political realities of her situation, in which the fishbowl effect of 'Stroiders is compounded by a reputation economy that turns every person into a beauty-contest competitor. Her maneuverings to keep politics and engineering in harmony are the heart of the book.
©2011 Laura J. Mixon-Gould (P)2011 Audible, Inc.
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Critic reviews

"Compulsively readable and packed with challenging ideas.... Locke has created a believable ecosystem of struggling, competing, sometimes uncomfortably interacting components, where trust is betrayed painfully, but allies appear unexpectedly. Most of all, this smart, satisfying hard SF adventure celebrates human resilience." (Publishers Weekly)
"Rigorous extrapolation with an imaginative flair, characters you can care about, and clean, lean, muscular prose are some of the hallmarks of M. L. Locke, a bright light on the science fiction scene. Fans of hard SF will eat this up and shout for more.” (George R. R. Martin)
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Regular price: £28.99

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Customer Reviews

Most Helpful
5 out of 5 stars
By Alex Levine on 09-09-11

Splendid Baroque Space-Opera

This book has all the elements of a great old-school baroque space-opera (including young adults saving the universe, emergent digital intelligences, and fun with orbital mechanics), with some new twists (ubiquitous reality TV fishbowling). There are occasional very minor continuity problems, but they don't get in the way. Ms. Cambpell is versatile, and each of the many characters has a unique voice. Highly recommended!

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6 of 6 people found this review helpful

4 out of 5 stars
By David on 22-12-11

Brand new old school sci-fi

This book was almost like pulling an old worn paperback off my shelf full of classic sci-fi novels. The idioms of contemporary SF are all there -- transhumanism, singularities, nanotechnology, ubiquitous computing and surveillance -- but the story is pure Golden Age sci-fi.

Phoecea is an asteroid colony on the precarious edge of survival and profitability. To increase their income, they have cut a deal with an Earth-based media corporation to broadcast everything that happens on Phoecea for a reality TV show called 'Stroiders. Although the constant live feeds from floating "motes" do play a role in the story, the effects are largely unseen, as the vast Earthling audience is so remote from Phoecea and there doesn't seem to be much interaction with the inner system worlds. Thus, the "reality TV show" angle doesn't get used much.

Phoecea also depends on water collected from asteroids, and this is how the villains of the story, a corporate front for the Martian mafia, seek to take over Phoecea. After a disaster destroys most of the colony's H20 reserves, the mobsters are the only ones who can bring enough water to save the colonists in time, unless they find another source. And to make matters worse, the disaster also unleashes an Artificial Intelligence, or "feral sapient," that escapes into the wild, taking up residence in Phoecea's computer network.

The main character is engineer Jane Navio, resource manager of Phoecea. She tries to negotiate a way to save the colony that won't hand it over to the Martian mafia, in the face of opposition from quisling bureaucrats, treacherous coworkers, and a mysterious cult of transhumanists whose allegiances are uncertain.

There is also a group of teenagers whose discovery of a "sugar rock," laden with ice, may just save the colony, if the bad guys don't get it first.

It's a complicated setting with many elements and tons of science fiction, but the story, while involving several major subplots, is pretty straightforward, and Up Against It moves along with a pleasant mix of action, suspense, mystery, and sci-fi geekery. I found the writing to be perfectly suited to the job of describing the environment and telling the story, without a lot of stylistic flourishes, and the characters were all pretty interesting, though Jane was a much more fully fleshed out protagonist than Geoff and his teen sidekicks.

If you like rockin' good SF, especially of the sort favored by us SF fans who are getting a little long in the tooth, this is a fresh arrival in the SF field we know and love. It's certainly not a groundbreaking or genre-shaking entry, but it won't disappoint anyone who knows what they expect and want when they read it.

The performance by Cassandra Campbell was good. She handled both male and female voices well, and while I blinked a little at the bad guys' Irish brogue, it did rather fit the setting.

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4 of 4 people found this review helpful

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